Romanian director Cristian Mungiu’s Graduation is one of the best films I’ve ever seen about corruption. That’s true despite the fact that Mungiu underplays the typical elements found in tales about this subject: You won’t find many fast-talking crooks, sinister cops or elaborate sting operations here. Or a looming sense…

If civilization were to end tomorrow — and who the hell knows, it just might — we could learn a lot about building the next one from the films of Hirokazu Kore-eda. Back in 1998, the Japanese director had his U.S. breakthrough with the wildly acclaimed After Life. Since then,…

Ghost in the Shell looks great, sounds great and has a gaping hole at its center — where its emotional core should be. This big-budget adaptation of the Japanese manga and anime classic (Masamune Shirow’s comic premiered in the late 1980s, Mamoru Oshii’s highly influential first film version in 1995)…

Gina Prince-Bythewood has directed two of the most devastatingly romantic films of this millennium — Love & Basketball (2000) and Beyond the Lights (2014) — so it might seem odd at first to see her at the helm of a TV show about police violence, unsolved murders, and race relations…

There’s more of a narrative in Song to Song than in Terrence Malick’s last two films, but that may not, at first, seem like a good thing. Pin Malick’s work down these days — tease a story or philosophy out of it – and you’re usually faced with something simple,…

For a movie in which a major character’s death is discovered when a giant lizard-monster vomits out his skull, Kong: Skull Island is a surprisingly breezy affair. It’s not so much that the characters or situations are particularly lighthearted. The film offers up plenty of wartime atmosphere and grim backstory,…

Logan is a punch in the gut in all the right ways. Onscreen, the X-Men series has always found ways to morph and expand, from time-traveling fantasy to social allegory to political thriller. And it’s done so as other comic-book franchises have ossified, with the DC movies (foolishly) doubling down…

“A cat meowing at your feet, looking up at you, is life smiling at you,” says one of the interviewees in Kedi, and who am I to argue? Ceyda Torun’s daydream-like documentary explores a subject near and dear to my heart: the street cats of Istanbul, those countless, fearless denizens…

No, I Don’t Feel at Home in This World Anymore is not a documentary about all the things going through your head right now, but in his directing debut, actor Macon Blair (Blue Ruin, Green Room) certainly captures something of the spirit of the times. As this stylized, deliriously violent,…

Maybe this’ll teach us not to judge a movie by its marketing campaign. Thanks to posters and trailers focused solely on its American star, Matt Damon, Zhang Yimou’s The Great Wall has been pilloried as an example of a Chinese myth being given the Hollywood white-savior treatment. In fact, the…

It was interesting, and more than a little inspiring, to watch the public outcry against the nomination of Betsy DeVos as Secretary of Education over the past couple of weeks — especially the online campaign in which, in response to DeVos’ ill-informed attacks on America’s supposedly failing public education system,…

George Miller’s sci-fi series began in 1979 with the low-budget, practically DIY gearhead grindhouse flick Mad Max, and it was revived in 2015 with the delirious action masterpiece Mad Max: Fury Road. All along the way, these pictures have captured something about their times that has allowed them to break…

First, the good news: The dog doesn’t die in John Wick: Chapter 2. This will come as a relief to some of us who adored the original, an action masterpiece about a retired hitman taking unholy revenge on the Russian scumbags who killed his pup and stole his car. The…

Given that it’s a sequel/spinoff built around a mostly throwaway gag in The LEGO Movie, The LEGO Batman Movie is funnier than you might think it has any right to be. But those of us who were expecting something more can’t help but feel a twinge of disappointment. The LEGO…

Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…

There are two distinct movies in Gianfranco Rosi’s Fire at Sea, and you could say that somewhere in between them lies the real one. The director, an Italian documentarian whose observational films demonstrate a formal rigor that often brings them close to experimental cinema and installation work, has trained his…

I’m still trying to decide if Sundance’s decision to kick off its 2017 festival with An Inconvenient Sequel, Al Gore’s follow-up to his influential (and terrifying) climate change documentary An Inconvenient Truth, is an act of political confrontation or a sign of helplessness. (Or both?) What kind of message does…

M. Night Shyamalan appears again to be having a moment. His last film, 2015’s grandparents-gone-wrong horror flick The Visit, proved a small hit with critics and audiences alike, and his latest, this week’s multiple-personality abduction thriller Split, seems poised to do likewise. And why not? Both films are effective chillers…

Walking out of Jim Jarmusch’s Paterson last May at Cannes, I felt like it was the closest the director had come to making an artistic manifesto. Having seen it again, I’m even more convinced. Jarmusch first arrived in New York back in the 1970s with dreams of becoming a poet,…

Somewhere inside the 128-minute Live by Night is a reasonably solid 168-minute movie struggling to get out. No, that’s not a typo: You can sense the contours of an absorbing story as writer/director/star Ben Affleck’s slapdash and fragmented assemblage limps along. Most of the pieces are there, but they remain…

Both a film noir and a candy-colored confection, Pedro Almodóvar’s Julieta is one of the most absorbing films he’s made in years. It’s also, perhaps, one of the saddest: Its bright hues and vivid textures offset a deep, unshakable melancholy. Based on a trio of Alice Munro short stories, Julieta…