Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
Set aside your visions of histrionic, paranoid fireworks. Oliver Stone’s whistleblower biopic Snowden finds the director in an unusually somber and controlled mood, perhaps because of the introverted, awkward nature of Edward Snowden himself. The former CIA employee and National Security Agency contractor, who in 2013 exposed the U.S. government’s…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
Opening your film on the image of a child plummeting off a cliff, presumably to his death, is a fairly foolproof way of getting the audience’s attention. And Alexandre Aja’s hyper-stylized coming-of-age-movie-slash-fantasy-slash-psychological-thriller The 9th Life of Louis Drax excels at grabbing you with a steady stream of provocative and ornate…
The attempt to reconcile the personal with the political has been the great theme of Nanni Moretti’s cinema, as it was for many of the legendary Italian directors before him. In Mia Madre, it finds one of its more vivid examinations. The film’s concept is blunt — a director struggles…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
On both an emotional and narrative level, a Hirokazu Kore-eda film pulls you in slowly, almost unexpectedly. The acclaimed Japanese director, whose works include After Life (1998), Still Walking (2008) and Like Father, Like Son (2013), makes movies about things like loss, abandonment and death, but his distinct touch —…
With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s Disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…
Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…
Antoine de Saint-Exupéry’s The Little Prince, published in 1943, might stand as a children’s classic, but it’s not-so-secretly a story for grown-ups. Kids have long been drawn to the book’s dreamy sense of wonder, to the golden-haired star-child of the title, but Saint-Exupéry’s ruminations on regret, solitude and loss belong…
“The world changed when Superman flew across the sky,” Viola Davis’ Amanda Waller says early on in Suicide Squad. “And then it changed again when he didn’t,” she continues, over somber images of the Man of Steel’s funeral following his (non-)death at the end of Batman v. Superman. Luckily, that…
A more appropriate title for Jason Bourne might be Walking: The Motion Picture. This fifth entry in the franchise loosely (very loosely) based on Robert Ludlum’s best-selling novels brings back director Paul Greengrass and star Matt Damon to continue the tale of the good soldier-turned-amnesiac-assassin-turned-rogue agent doing battle against his…
Café Society is surprisingly ambitious by the standards of late-period Woody Allen — a veritable epic taking in a broad swath of a young man’s life and charting his progress from wide-eyed innocent to cold, confident operator. But that’s also why the film, in some senses, could only have been…
The futuristic dystopia of the arty sci-fi romance Equals will be familiar to anyone who’s seen the likes of Gattaca, The Island or THX 1138. It’s a cool, rational, lifeless world, blanketed in whites and grays and blues, and peopled with unfeeling faces — a world whose citizens will express…
Star Trek Beyond might be the Star Trekkiest film of the new, J.J. Abrams-ified Trek era. That is to say, it’s the one that feels the most like a turbo-loaded episode of the original series, and has at least some of that classic spirit of exploration and derring-do. That’s not…
Dylan Reeve and David Farrier’s Tickled might be the oddest documentary you’ll see this year. It starts off with Farrier, a New Zealand TV reporter specializing in human-interest fare, discovering the world of Competitive Endurance Tickling — in which teams of strapping young men tickle each other for extended periods…
In one of many throwaway gags in The Secret Life of Pets, a group of dogs gathering for an all-important rescue operation is momentarily sidetracked by a butterfly, which sends them into a riot of leaping and yelping. Pets are easily distracted, you see. And you know who else is…
James DeMonaco’s Purge series, about a near future in which all crime is legal for one annual 12-hour period, began as a disturbing setup for basic genre thrills: 2013’s franchise-starter was essentially a home-invasion thriller with a dystopian twist. By the time Purge: Anarchy rolled around a year later, the…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
An unlikely buddy comedy-drama about the friendship between a suicidal castaway played by Paul Dano and a flatulent corpse played by Daniel Radcliffe, Swiss Army Man doesn’t seem like the kind of movie you’d watch with your mother. So what was it like to be the mothers of the film’s…
Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…
