“Bachelorette” Review: You May Kiss the Bride’s Ass

Weddings make such bitchin’ film scenarios because the stakes are believably high: If anything goes wrong, social opprobrium, the loss of your beloved, or both can ensue, right in front of your disdainful parents, the clergy, and probably Vince Vaughn or somebody. Directors have placed every obvious symbol of holy…

“The Day” Delves Mysteriously Into a Postapocalyptic World

You don’t always need to know the specific circumstances that precede the events of a postapocalyptic film, but the unexplained, history-ending catastrophe in Douglas Aarniokoski’s The Day precipitated some pretty contradictory conditions on the ground. Apparently, there is no food? Except that the film’s healthy-looking group of survivors trudges through…

The Spider Becomes a Man — and a Joy — in The Amazing Spider-Man

The Amazing Spider-Man, an inexcusably good reboot from director Marc Webb, celebrates the heartwarming arachno-genetic bar mitzvah in which a boy becomes a spider and a spider becomes a man, a rite of passage last observed in Sam Raimi’s uneven but often pretty great trilogy in the ’00s. And there’s…