2 Jacks a Father-Son Drama Tut-Tutting Millennials

5:30 p.m. Thursday, October 24, at Cinema Paradiso-Lauderdale, 503 SE Sixth St., Fort Lauderdale; 954-525-3456; fliff.com. also 5:30 p.m. Friday, October 25, at Cinema Paradiso-Hollywood, 2008 Hollywood Blvd., Hollywood; 954-525-3456; Fliff.com.False gravity weighs down 2 Jacks, a father-son drama less interested in exploring familial relations than in tut-tutting the millennials…

Metallica: Through the Never‘s Weird Provocation of White Aggreivement

In their experimental new film, Metallica endeavor to translate the anger and pain in their music into a visual medium. Directed by Nimród Antalis, Metallica Through the Neveris the band’s second big-screen effort, the first being being the 2004 behind-the-scenes documentary Metallica: Some Kind of Monster. That debut, created by…

On FX’s The Bridge, Serial Killers Are a First-World Problem

Mild spoilers up to The Bridge’s ninth episode below. Artisanal murders are all the rage these days. On Showtime’s Dexter, NBC’s Hannibal, and Fox’s The Following, small-batch, labor-intensive, sold-with-a-story slaughters have become TV’s equivalent of the Cronut. Handsome, intelligent, and mannered as court eunuchs, serial killers have become the new…

Orange Is the New Black‘s Radical Critique of American Prisons

All manner of spoilers below. Nearly anyone with a grievance against America’s dysfunctional prison system can find a scene to illustrate their protest in the first season of Orange Is the New Black, Netflix’s women-behind-bars dramedy. Admittedly, the wonkiest or most disheartening issues, like prison privatization or endemic sexual assault,…

Ten Fascinating Facts from Slimed!, the New Oral History of ’90s Nickelodeon

After Jimmy Savile, Amanda Bynes, Lindsay Lohan, and that Christian puppeteer who wanted to kidnap, kill, and eat little boys, it’s hard not to imagine the children’s entertainment industry as a fount of unimaginable filth and degeneracy. But for those who’d prefer to remember their childhoods happily, Mathew Klickstein offers…

We’re the Millers: These Outsiders Would Detest Their Own Square Movie

If there’s one nuance mainstream comedies have yet to learn, it’s that “empathetic” need not mean “likable” — audiences can feel for characters they don’t necessarily want to be. The hit black comedy Horrible Bosses, which had three angry underlings plotting murderous vengeance against their you-know-whats, should have been a…

In The Way, Way Back, Adolescence Is a Fantasy

The Way, Way Back is a crowd-pleasing summer treat, predictable in its sweetness but satisfying all the same. It’s like the multinationally branded ice-cream sandwich you get on any pier in the Western Hemisphere — market-tested to appeal to as many people as possible (but you don’t mind gobbling up)…

The Hot Flashes Has Fun With Menopausal Basketball Team

Courtside trash-talk is a whole ‘nother game in The Hot Flashes. “I am going to rip those worn-out nipples right off of you,” snarls Camryn Manheim to the woman who broke up her marriage and is also her teammate. Later, Virginia Madsen winks, “Why buy the pig when all you…

In The Kings of Summer, Life Is a Sitcom

It’s to the great detriment of The Kings of Summer that it follows the identically premised Mud by just weeks. Both films tell bittersweet coming-of-age stories about teenage friends who learn how to become men in a soon-to-be-corrupted Eden, and both are questionably embellished by a predictable teen romance, an…