Father and Son Talmudic Scholars Grapple in “Footnote”

In the first scene of Israel’s Best Foreign Language Oscar nominee, Footnote, Uriel Shkolnik (Lior Ashkenazi) — a 40-something Talmudic scholar whose research has earned adulation while his 60-something father’s has mostly been ignored — accepts an honor with an obliviously glib speech built around a childhood anecdote about his…

How to Cope: A Family Faces Death Head-On in “Declaration of War”

The gorgeously scruffy Juliette (director/cowriter Valérie Donzelli) and Roméo (cowriter Jérémie Elkaïm) — yes, the improbability is noted — move from dive-bar love-at-first-sight to proud parents of a newborn boy in the first few minutes of Declaration of War. Then their 18-month-old son, Adam, is diagnosed with a brain tumor…

Sundance 2012: Thick With the Anxieties of Our Times

There’s no question that the 2012 edition of the Sundance Film Festival was stuffed with films in some way touched by the psychological and practical fallout of economic crisis. It was blatant in documentaries such as Lauren Greenfield’s Queen of Versailles, in which a nouveau riche time-share mogul’s gaudy lifestyle…

The Parental Rage of Brownstone Brooklyn in “Carnage”

In Carnage posh pair Alan and Nancy (Christoph Waltz and Kate Winslet) come to the home of wholesaler Michael (John C. Reilly) and crunchy author Penelope (Jodie Foster) to discuss how to deal with the fact that the former couple’s son hit the latter couple’s son in the face with…

Margaret Thatcher as Victimized Woman in “The Iron Lady”

In the first scene of The Iron Lady, 80-something Margaret Thatcher is presented as a little old lady unfit for the fast-moving world outside her hermetic London townhouse. The bulk of the movie takes place in an even smaller, more airless space: the dementia-stricken former British prime minister’s head. The…

Top Ten Movies of 2011

1. Margaret Margaret, written and directed by Kenneth Lonergan (You Can Count on Me), starring Anna Paquin with key supporting performances from Matt Damon and Mark Ruffalo, is a coming-of-age tale infused with post-9/11 anxiety. Margaret features Paquin — in the performance of the year — as Lisa, a Manhattan…

Top Ten Movies for 2012

We know — you’re excited about The Dark Knight Rises. And The Avengers. And The Hunger Games. So are we. We’re also excited about a lot of other movies whose marketing campaigns have not inundated us with white noise (yet). Allow us to suggest a few more films to put…

“Hugo” Milks the 3-D Trend for Scorsese’s Timeless Cause

Martin Scorsese’s first foray into 3-D family filmmaking centers on its title character, played by Asa Butterfield, a just-prepubescent orphan squatting in a train station circa 1930. When not dodging an orphan-hunting station constable (Sacha Baron Cohen), Hugo secretly maintains the station’s clocks and attempts to fix an automaton, the…

“My Week With Marilyn” Takes the Sex Out of Sex Symbol

In the TV-movie-quality impersonation that is Simon Curtis’ My Week With Marilyn, Marilyn Monroe (Michelle Williams) has arrived in 1956 London to star in The Prince and the Showgirl, directed by and costarring Laurence Olivier (Kenneth Branagh). The pill-addled peroxide blond sweeps onto Olivier’s set with an entourage and habitually…

Civil Rights Through a Soft Focus Lens in “The Help”

More than just the Hollywood “it” girl of the moment, Emma Stone is a real actress, and in The Help, she gets an ostentatious, Oscar-baiting big scene in which to prove it. Stone is, to borrow a phrase from Bret Easton Ellis’ Twitter account, thoroughly postempire — she doesn’t need…

“Snow Flower and the Secret Fan” Is Strangely Provocative

Nina (Li Bingbing) is a Shanghai career girl who drops plans to move to New York when she learns her estranged bestie, Sophie (Gianna Jun), is in a coma. Soon Nina discovers the manuscript of a novel Sophie had been writing, which turns their long-term friendship (cemented as teens dancing…

“The Change-Up” Swaps Two Dudes Pissing Away Their Lives

A uniquely Freudian entry in the body-switching comedy canon, The Change-Up stars Jason Bateman as standard-issue anal-retentive lawyer/family man Dave and Ryan Reynolds as Dave’s classically anal-expulsive stoner/playboy childhood friend Mitch. When sober, Dave begrudgingly tolerates Mitch’s wild-animal routine. One night, when both are drunk, Dave admits he’s secretly jealous…