Life’s an Erotic Cabaret in Frederick Wiseman’s “Crazy Horse”

Belting out the anthem “Les Filles du Crazy,” half a dozen women sing of themselves: “They are the soldiers of the erotic army.” The military metaphor proves apt for this spellbinding documentary on the Crazy Horse, Paris’ classy nudie cabaret, founded in 1951. The dancers’ taut, perfectly proportioned bodies suggest…

Complicating Late Childhood in “Tomboy”

A sensitive portrait of childhood just before pubescence — when bodies and identities are still fluid — Tomboy astutely explores the freedom, however brief, of being untethered to the highly rule-bound world of gender codes. About 20 minutes elapse before we learn the real name and biological sex of a…

More Precociousness Than a Camcorder Can Handle in “The Hedgehog”

This film follows two parallel story lines: one featuring a thoroughly insufferable little girl, the other a pleasingly grumpy middle-aged widow. Scrawny, bespectacled, precocious 11-year-old Paloma (Garance Le Guillermic), disgusted by the futility of her bourgeois existence, plans to kill herself on her next birthday — a scheme announced, as…

“Sleeping Beauty” Fails to Stir

Frustratingly opaque, Australian novelist-turned-filmmaker Julia Leigh’s debut feature opens with an unforgettable image: A young woman, earning some extra cash as a medical-research subject, patiently sits as a long tube is threaded down her esophagus. Sharp and precise as its tableau might be, though, Sleeping Beauty never burrows into the…

“Being Elmo”: A Puppeteer’s Journey

This documentary on Kevin Clash — the kind, gentle man who created the Muppet beloved by every single child in the world — rushes through intriguing points its interviewees bring up to devote more time to banalities. Instead of hearing more from the colleague who exhorted Clash, “Jim [Henson] doesn’t…

Life Lessons From the Poor in “The Women on the Sixth Floor”

The pleasing sounds of Carmen Maura’s whispery Castilian lisp open this 1962-set film about the friendship between a Parisian captain of industry and a group of Spanish maids. But all the words that follow assault the ear in this unnecessary rehashing of the earthy virtues of low-paid laborers versus the…

Say Goodbye to Monogamy in “3”

After 20 years together, 40-ish arts professionals Hanna (Sophie Rois) and Simon (Sebastian Schipper) have succumbed to bed death. Other stresses burden the relationship: the passing of Simon’s mother, his diagnosis of testicular cancer soon after, the insistence of writer/director Tom Tykwer (Run Lola Run, The International) on constantly using…

“The Son of No One” Must Learn to Live With His Past

For his third film, outer-borough sensationalist Dito Montiel sets most of the action in Astoria, the Queens neighborhood that dominated his first, 2006’s A Guide to Recognizing Your Saints. He reteams with Channing Tatum, the star of all his features, here playing Jonathan White, a second-generation cop tormented by the…

“Take Shelter” in a World Without Safety Nets

Standing outside his small-town Ohio home, his wife and child busy preparing breakfast inside, Curtis LaForche (Michael Shannon) looks up at the ominous, slate-gray sky in the first scene of Take Shelter. The clouds open, raining down oily, piss-colored droplets. It’s end-of-days weather, a phenomenon that only Curtis seems to…

“3” Tells the Tale of a Bed-Dead Relationship That Finds New Life

After 20 years together, 40-ish arts professionals Hanna (Sophie Rois) and Simon (Sebastian Schipper) have succumbed to bed death. Other stresses burden the relationship: the passing of Simon’s mother, his diagnosis of testicular cancer soon after, the insistence of writer/director Tom Tykwer (Run Lola Run, The International) on constantly using…