“People Like Us” Is a Certifiable Adult Drama

People Like Us is a certifiable adult drama built atop sturdy thematic supports, a rare enough item these days. Sam (Chris Pine), a career-obsessed New York wheeler-dealer, is reeled back to hometown L.A. upon the death of his father, who had a multiplatinum record as a ’70s music producer/AR man…

“Elena” Questions Family Loyalty

Andrey Zvyagintsev’s Elena is a tale of two apartments: a spacious chrome, glass, and marble luxury flat that might be anywhere in prosperous Western Europe, and a cramped unit in some exhausted-looking, distinctly Soviet-vintage apartment block with a view of a nuclear plant. Central to the movie is the distance,…

Prometheus Boasts Impressive Horror but Fails in Its Ideas

Arriving in theaters on the back of a portentous ad campaign, Ridley Scott’s Prometheus assumes the air of something more than a summer movie, a blockbuster with brains that links the genesis and the ultimate fate of mankind beyond the stars. It is, incidentally, the story of an ambitious mission…

“Snow White and the Huntsman” is an Overtold Tale

If ever there were a perfect example of pure, fresh, classical simplicity unnecessarily trodden under with complications, it is Snow White and the Huntsman. Had it trusted to the native charm of its cast and the sensory seduction of its often-astonishing images to humbly, naively retell its story, this Snow…

“Chernobyl Diaries” Movie Review: A Toxic Waste of Handheld Cameras

Spoiler alert:Chernobyl Diaries is toxic waste. Based on a premise by Paranormal Activity director Peli, Chernobyl Diaries tags along with a group of American backpackers visiting Kiev — the usual boring actors giving boring readings of boring dialogue, which constitutes our contemporary conception of realism. Signing up for a guided…

Johnny Depp Plays a Vampire Family Man in Tim Burton’s Dark Shadows

A significant portion of Tim Burton’s output over the past decade has been concerned with slipping the “Burton treatment” to susceptible texts: Roald Dahl’s Charlie and the Chocolate Factory, Stephen Sondheim’s Sweeney Todd, Lewis Carroll’s Alice’s Adventures in Wonderland— and now, Dark Shadows. A supernaturally themed daily daytime soap, Dark…

“The Three Stooges: The Movie” Review: Resurrecting Vaudeville-era Shtick

The Holy Trinity of knockabout numbskull comedy—fritz-haloed Larry, yipping lummox Curly, and bowl-cut fascist Moe—are introduced as they’re ditched on the steps of an orphanage. Twenty-five years later, they’ve grown up to resemble, respectively, television comics Sean Hayes, Will Sasso, and Chris Diamantopoulos, unleashed on the unsuspecting world when the…

“Lockout” an Expendable Collection of ’80s Action Flick Cliches

The 56th president of the U.S.A.’s do-gooder daughter, Emilie (Maggie Grace), is on a fact-finding trip to a prototype orbital big house where inmates are kept pacified in deep-freeze when she’s taken hostage in a riotous insurgency led by freshly thawed Scots psychopaths (Vincent Regan and Joseph Gilgun). The only…

“American Reunion” Offers a Durable Recipe for Routine Comedy

This latest episode in the ongoing American Pie saga, handled by the Harold & Kumar writer-director team of Jon Hurwitz and Hayden Schlossberg, reunites the full original cast at their 13-year high school reunion, as the anticlimactic disappointments of the 30s have begun to sink in. Onetime band-camp nymphomaniac Michelle…

“Silent House” Superficially Spiffs Up the Haunted-House Movie

In Silent House, a college-aged young woman, Sarah (Elizabeth Olsen), is on break and helping her father (Adam Trese) and uncle (Eric Sheffer Stevens) renovate the remote, no-cell-phone-reception lake house where they once vacationed as a family. Then Uncle storms off after a round of fraternal bickering, Dad disappears with…