“Wall Street: Money Never Sleeps” Lets the Bad Guys Off Easy

Oliver Stone’s Wall Street: Money Never Sleeps doesn’t have the clean, fable-like arc of its predecessor. The buccaneer charisma of Michael Douglas’ signature role as Gordon Gekko obscured the moral soul of Wall Street. But everything now is so much murkier. Money Never Sleeps employs whiz-kid proprietary trader Jake Moore…

“The Town” Puts Ben Affleck in His Bank Robber Role

Directing himself as a verifiable big-movie lead after some time in supporting-actor Triple-A ball, Ben Affleck models a full line of warm-up suits to play Doug MacRay, a second-generation blue-collar stick-up man, the brains of his four-man bank crew. The setting is Charlestown, the square-mile majority-Irish Boston neighborhood that’s half-gentrified…

“The Sorcerer’s Apprentice”: Bruckheimer Meets Disney

Named for the last good outing by Walt Disney’s rodent mascot, this Bruckheimer-produced Apprentice pays homage to Mickey’s dancing mops but draws more from modern road-tested blockbuster elements: Spidey’s nerd-turned-superhero wish fulfillment and Harry Potter’s boy wizardry. Nicolas Cage plays Balthazar Blake, a 1,300-year-old understudy of Merlin who finds his…

“Predators” Hits Most of the Notes in Pitting Badasses vs. Aliens

This Robert Rodriguez–produced sequel goes back into the bush to follow 1987’s Predator—a sci-fi horror that put the multi-megaton American stud-soldiers of Reagan-era action in the infra-red, stalking POV of a higher-tech galactic Superpower. This time, U.S. black ops turned soldier-of-fortune Royce (Adrien Brody, knotty with new muscle) literally plummets…

“Jonah Hex” a Chef Boyardee Spaghetti Western

Bracingly inept, Chef Boyardee spaghetti western Jonah Hex is the rare 80-minute movie that you can’t even call “taut.” Rather than teasing out curiosity about its outcast hero’s past, Jonah pelts the viewer with clumps of exposition, including a hasty comic-book-graphic origin montage illustrating the strange case of Hex (Josh…

‘A Nightmare on Elm Street’ Review: Remake Is No Dream

If audiences are willing to pretend that they’ve never seen Freddy Krueger—and the crowd I was with was primed—at least give them the privilege of a tease. Unfortunately, this remake of Wes Craven’s 1984 horror staple pops its cookies early, with barely a glimmer of suburban sunshine to contrast the…

Gay.com Film Series Presents (Lame) Triple Bill

The social-networking site Gay.com presents a triple bill of same-sexer-themed movies. In descending order, from middling to empirically bad: Watercolors — the most professional job, and the only one that takes a stab at Eros — is a My First Time jock-on-nerd love affair done with chiaroscuro cinematography and awful…

Repo Men: A Poor Man’s Daybreakers

Another wholesale dystopian future, just like the last one. Jude Law and Forest Whitaker are two repo men punching their timecards for The Union Inc. Their job is to hunt down those recipients of synthetic organ transplants who’ve fallen behind on payments, then retrieve company property at the point of…

Remember Me Review: Love, Angst, and Something Else Is in the Air

Putatively a new romance starring Robert Pattinson, Remember Me begins like a vigilante movie: a Brooklyn subway platform, 1991; a racially charged stickup; an 11-year-old girl watches her mother get shot. It’s the first sign that here is a film that won’t content itself with just charting the little measures…

Shutter Island by Martin Scorsese Is the Good Kind of Insane

Martin Scorsese’s Shutter Island, a florid art shocker that Paramount welcomed into the world with the strained enthusiasm of a mutant baby’s parents, begins with U.S. Marshal Teddy Daniels (Leonardo DiCaprio) seasick, head in the toilet. The film is his prolonged purging, with Daniels coughing up chunks of his backstory…