Del Toro’s Pacific Rim Offers Monster/Robot Glory

If the great god of movies, whatever slippery Mount Olympus of money he resides on, decrees that summer is the time for larger-than-life 3-D blockbusters, Guillermo del Toro may as well make one. His Pacific Rim is summer entertainment with a pulse. The effects are so overscaled and lavish as…

A Hijacking a Neatly Crafted High-Seas Thriller

Until 2005 or so, no one thought much about modern piracy of the high-seas variety. But then Somali pirates began attacking merchant ships with increasing frequency, seizing vessels and holding their crews hostage for outlandish sums. Danish director Tobias Lindholm’s wiry, neatly crafted thriller A Hijacking wrests fact into the…

We Steal Secrets: The Story of WikiLeaks Is Outlandishly Complicated

The story Alex Gibney tells here, that of WikiLeaks’ founder, raconteur, and alleged sexual offender Julian Assange, is outlandishly complicated, peopled not with clear-cut good and bad guys but mostly imperfect individuals who hover in between. There’s emotionally fragile Bradley Manning, the Army intelligence analyst who passed sensitive military and…

Man of Steel Is for Real

Zack Snyder’s Man of Steel is a movie event with an actual movie inside, crying to get out. Despite its preposterous self-seriousness, its overblown, CGI’ed-to-death climax, and its desperate efforts to depict the destruction of, well, everything on Earth, there’s greatness in this retelling of the origin of Superman; moments…

Before Midnight‘s Lovers Face the Darkness

Ask people about their favorite movies and the same titles come up regularly — Casablanca, Pulp Fiction, Annie Hall, Citizen Kane. But some films have special meaning for people even if they don’t turn up on lists of established favorites. For many people, particularly those who were in their 20s…

Something in the Air an Ode to Youth’s Universal Qualities

Olivier Assayas’ gorgeous, freewheeling, semiautobiographical Something in the Air is an ode to both youth’s universal qualities and the specifics of Assayas’ youth in particular. The picture opens in the suburbs just outside Paris in 1971, among a group of teenaged students still energized by the explosive student and worker…

In Frances Ha, Greta Gerwig Displays Her Colors

New York is a cruel and beautiful place, just as 27 is a cruel and beautiful age. In Frances Ha, Greta Gerwig plays a woman who’s feeling the weight of both. Frances is an aspiring dancer who has reached the age when “aspiring” really means not cutting it. Life with…

Cannes: The Coen Brothers’ Inside Llewyn Davis

I. First, Something About the Badges (Then We’ll Get to the Coens) Someday I’m going to write a song and call it “Ballad of the Blue Badge.” I haven’t figured out a rhyme scheme yet, let alone a melody, so please allow this outline to suffice: At Cannes, the color…

Great Gatsby With DiCaprio and Maguire: Great but Not Always Good

There’s a scene in Baz Luhrmann’s The Great Gatsby in which Leonardo DiCaprio’s hyperrich, superawkward Jay Gatsby takes it upon himself to redecorate the bachelor pad of his less-prosperous friend, Nick Carraway (Tobey Maguire). Gatsby’s old flame, Daisy Buchanan (Carey Mulligan), is coming to Nick’s house for tea. Eager to…

Terrence Malick’s To the Wonder is Gorgeous, Ridiculous

To the Wonder, Terrence Malick’s second movie in two years, is ridiculous, pretentious as hell, and in places laugh-out-loud funny. “Newborn. I open my eyes. I melt. Into the eternal night…” With dialogue like that, in voiceover and in French, who needs satire? But for all the absurdity, there’s also…