April Wolfe is the film critic for L.A. Weekly. Her criticism and features also appear in other Voice Media Group publications and in VMG's film partner the Village Voice. She's written for The Atlantic, Marie Claire, CityLab, Vice and many others, and she's the founder and a producer of One Axe Plays, a film and theater collective for women writers and directors. As a filmmaker, she's produced a feature film, written and directed a handful of shorts and worked in creative development as a top-level story analyst.
2 days ago | Film Reviews
As with most horror films, the cast gets whittled down one by one by the killer, in this case, a cabal of folks in black hoods capable of showing up at the characters’ homes at a moment’s notice — they’re maniacally smart, always 10 steps ahead of...
With Unfriended: Dark Web, a follow-up to the 2014 found-footage transtextual horror film Unfriended, writer/director Stephen Susco is betting we're all a little willfully naive about the internet. Susco dutifully exploits the fear...
7 days ago | Film and TV
Granik says this about that near-decade between her narrative films: “It’s been like psycho-cardio workout on steroids the past eight years.”
9 days ago | Film Reviews
... The plot’s developments at times could seem tenuous, but I found them totally daring and confident, as though Riley knew the rules of every screenwriting guide and the demand for “realism,” and he said, “Nah, I’m good,” because he had bigger p...
Boots Riley's profoundly hilarious, disturbing, shocking and stirring directorial debut, Sorry to Bother You is a balls-to-the-wall, tits-to-the-glass spectacular orgy of fist-pumping anti-capitalist, pro-labor ideas rolled into 105...
16 days ago | Film Reviews
... It’s nice that writer/director Shana Feste’s family comic drama Boundaries shows an adult woman reluctant to let her vagabond dad back into her life — for good reason