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Only a year ago, Fort Lauderdale's Museum of Art looked to be on the verge of collapse. Revenues were down dramatically, and key staffers came and went with alarming frequency. Two years earlier, the plug had been pulled at the last minute on a much-anticipated exhibition, "Fashion: The Greatest Show on Earth," because of financial problems. Then came a seeming miracle: "Saint Peter and the Vatican: The Legacy of the Popes," which opened last August, accompanied by the announcement of a potential new savior for the museum. By the time Executive Director Irvin M. Lippman (MoA's third director in seven years) came on board in October, the papal show was well on its way to becoming the museum's most successful exhibition since 2001's "Palace of Gold & Light: Treasures from the Topkapi, Istanbul." Lippman, who turned around the Museum of Art in Cleveland, can't take credit for the Vatican show, but so far, he's providing a much-needed sense of stability. MoA has had a roller coaster of a history, with daring shows followed by duds and mediocrity. But it has several solid permanent collections, including the "CoBrA Collection," the "Contemporary Cuban Collection," and "European and American Modern and Contemporary Art from 1900 to the Present." The vast Williams Glackens collection got its own wing in 2001, when the museum got a $2.2 million, 10,000-square-foot expansion. And recent shows, including the ethereal "Enrique Martínez Celaya: The October Cycle, 2000-2002," are the most promising in a long time. Call MoA the Comeback Kid of Broward museums. Readers' Choice: Museum of Art,

Fort Lauderdale

Eduardo Chacon
When the Boca Raton Museum of Art reopened in its spectacular new 44,000-square-foot facility in Mizner Park, it pulled out all the stops. The inaugural show was the sweeping retrospective "Picasso: Passion and Creation -- The Last Thirty Years," which raised a question: Could the museum sustain such a high level of quality? The answer, three years later, is a resounding "Yes!" The museum ended 2001 with "Arman: The Passage of Objects," a show as impressive as the Picasso. And under the stewardship of Executive Director George S. Bolge, formerly of Fort Lauderdale's Museum of Art, the Boca Museum has continued to deliver. Along with the annual "All Florida Juried Competition and Exhibition," there have been a pair of Chagall exhibitions, a show of recent work by Fort Lauderdale-based artist Matthew Carone, Richard Pousette-Dart and David Remfrey shows, and an ambitious exhibition showcasing ten contemporary Latin American artists. In the past year alone, Bolge and his diligent staff have continued their tradition of showcasing art from local private collections, as well as giving us "Frank Lloyd Wright: Windows of the Darwin D. Martin House" and the recent corporate show from the UBS Art Collection. As if all this weren't enough, the museum still maintains rotating selections from its extensive permanent collections in its second-floor galleries. Readers' Choice: Norton Museum of Art
When the Boca Raton Museum of Art reopened in its spectacular new 44,000-square-foot facility in Mizner Park, it pulled out all the stops. The inaugural show was the sweeping retrospective "Picasso: Passion and Creation -- The Last Thirty Years," which raised a question: Could the museum sustain such a high level of quality? The answer, three years later, is a resounding "Yes!" The museum ended 2001 with "Arman: The Passage of Objects," a show as impressive as the Picasso. And under the stewardship of Executive Director George S. Bolge, formerly of Fort Lauderdale's Museum of Art, the Boca Museum has continued to deliver. Along with the annual "All Florida Juried Competition and Exhibition," there have been a pair of Chagall exhibitions, a show of recent work by Fort Lauderdale-based artist Matthew Carone, Richard Pousette-Dart and David Remfrey shows, and an ambitious exhibition showcasing ten contemporary Latin American artists. In the past year alone, Bolge and his diligent staff have continued their tradition of showcasing art from local private collections, as well as giving us "Frank Lloyd Wright: Windows of the Darwin D. Martin House" and the recent corporate show from the UBS Art Collection. As if all this weren't enough, the museum still maintains rotating selections from its extensive permanent collections in its second-floor galleries. Readers' Choice: Norton Museum of Art
After four years of moving about town to display its fascinating, unique cultural exhibits, the Museum of Lifestyle & Fashion History finally settled down in 2003 with a facility in Delray Beach. Established in 1999, the museum previously presented exhibits that explored the history of such varied topics as Third World cultures, fashion accessories, architecture, furnishings, toys, and just about any other cultural phenomenon with an interesting past. From lighthearted, multimedia exhibits like "The History of the Teddy Bear" to the more political "40 Years of the Barbie Doll" (in celebration of Women's History Month) to an earnest look at "The Removal of Indian Nations," the museum's wide range of subject matter makes for quite an enchanting afternoon -- one you'll not soon forget. A "Negro Baptismal" photography exhibit that opened in February runs through August 8. 2004 exhibits include "Lunchbox History" and "Creativity and Resistance: Marooned Cultures of the Americas." It's more than worth the $5 admission for adults and children over age 13.

After four years of moving about town to display its fascinating, unique cultural exhibits, the Museum of Lifestyle & Fashion History finally settled down in 2003 with a facility in Delray Beach. Established in 1999, the museum previously presented exhibits that explored the history of such varied topics as Third World cultures, fashion accessories, architecture, furnishings, toys, and just about any other cultural phenomenon with an interesting past. From lighthearted, multimedia exhibits like "The History of the Teddy Bear" to the more political "40 Years of the Barbie Doll" (in celebration of Women's History Month) to an earnest look at "The Removal of Indian Nations," the museum's wide range of subject matter makes for quite an enchanting afternoon -- one you'll not soon forget. A "Negro Baptismal" photography exhibit that opened in February runs through August 8. 2004 exhibits include "Lunchbox History" and "Creativity and Resistance: Marooned Cultures of the Americas." It's more than worth the $5 admission for adults and children over age 13.

In 1864, the first pair of ice skates was patented in the United States. In 1920, Cleveland Indians shortstop Ray Chapman got beaned in the head by a Carl Mays fastball, becoming the first major league baseball player to die during a game. And in 1992, Andre Agassi won the Wimbledon Tennis Tournament. So how are all these historical sports tidbits related? Sports Immortals Museum and Memorabilia Mart, that's how. Anyone remotely interested in sports could spend hours gazing, mouth agape, at the huge collection of sports memorabilia, from Muhammad Ali's championship belt to Franco Harris' (autographed) cleats that gained him more than 100 yards in eight straight games. There's so much history stuff for the history buff that you won't know where to start; it'd be a good idea to take a guided tour. In addition to the more than 1 million (!) sports mementoes in a rotating display of 30,000 items, Sports Immortals features interactive games and theater. It holds fundraisers, auctions, parties, and field trips. And you can buy stuff too, for $2 to $10,000, such as signed lithographs (O.J. Simpson, $396, no bloodstains), and posters ('96 Stanley Cup, $68). Admission is $5 for adults and $3 for children under age 12. Who says South Florida has no history?

In 1864, the first pair of ice skates was patented in the United States. In 1920, Cleveland Indians shortstop Ray Chapman got beaned in the head by a Carl Mays fastball, becoming the first major league baseball player to die during a game. And in 1992, Andre Agassi won the Wimbledon Tennis Tournament. So how are all these historical sports tidbits related? Sports Immortals Museum and Memorabilia Mart, that's how. Anyone remotely interested in sports could spend hours gazing, mouth agape, at the huge collection of sports memorabilia, from Muhammad Ali's championship belt to Franco Harris' (autographed) cleats that gained him more than 100 yards in eight straight games. There's so much history stuff for the history buff that you won't know where to start; it'd be a good idea to take a guided tour. In addition to the more than 1 million (!) sports mementoes in a rotating display of 30,000 items, Sports Immortals features interactive games and theater. It holds fundraisers, auctions, parties, and field trips. And you can buy stuff too, for $2 to $10,000, such as signed lithographs (O.J. Simpson, $396, no bloodstains), and posters ('96 Stanley Cup, $68). Admission is $5 for adults and $3 for children under age 12. Who says South Florida has no history?

If you've tried to walk into Tavern 213 on a Sunday night and got stuck in the doorway, that's a good thing. Folks trying to squeeze the last bit of fun out of the weekend know that on Sundays, there is the chance they'll catch noisy, chaotic, energetic sets by AC Cobra, Malt Liquor Riot, the Slants, the Shakers, Trapped by Mormons, the Creepy T's, the Heatseekers, and countless other local bands. But there's also a chance of getting beer, sweat, or other bodily fluids sprayed on you or an elbow in your eye or witnessing a drum set get thrown through the front window. And since Tavern is open until 4 a.m. every night, that's two more hours of hangover for the next morning.
If you've tried to walk into Tavern 213 on a Sunday night and got stuck in the doorway, that's a good thing. Folks trying to squeeze the last bit of fun out of the weekend know that on Sundays, there is the chance they'll catch noisy, chaotic, energetic sets by AC Cobra, Malt Liquor Riot, the Slants, the Shakers, Trapped by Mormons, the Creepy T's, the Heatseekers, and countless other local bands. But there's also a chance of getting beer, sweat, or other bodily fluids sprayed on you or an elbow in your eye or witnessing a drum set get thrown through the front window. And since Tavern is open until 4 a.m. every night, that's two more hours of hangover for the next morning.

Age: 53

Hometown: New York City

Claim to fame: Founder and producing director of the acclaimed Florida Stage

What he's done for us lately: The Florida Stage has stuck by its guns for 17 years, producing quality new stage works with professionalism. No tired revivals of Arsenic and Old Lace or The Glass Menagerie, no janitors stumbling on as walk-ons, no costumes from Kmart. Spots are hit, lines are spoken on cue, and the company does its damnedest to grapple with the issues that contemporary playwrights are brooding upon. This year, Tyrrell, a hands-on theater man all the way, directed local playwright Michael McKeever's macabre Running with Scissors. Then the company staged one of the best South Florida productions of the past year, Permanent Collection, Thomas Gibbons' challenging examination of institutional racism and political correctness.

What it takes: "In the theater, it's all about collaboration. The thing that's driven me is ultimately a practical need to interact with other people, to have a positive impact on the community in the small way that we do. The moment we start to think too much of ourselves and that impact, though, I remind myself that we wear wigs and bows for a living."

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