[
{
"name": "Related Stories / Support Us Combo",
"component": "11171270",
"insertPoint": "4",
"requiredCountToDisplay": "6"
},{
"name": "Air - Leaderboard - Inline Content",
"component": "13002605",
"insertPoint": "2/3",
"requiredCountToDisplay": "7"
},{
"name": "R1 - Beta - Mobile Only",
"component": "12306405",
"insertPoint": "8",
"requiredCountToDisplay": "8"
},{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "11034510",
"insertPoint": "12",
"requiredCountToDisplay": "12"
},{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "11034510",
"insertPoint": "4th",
"startingPoint": "16",
"requiredCountToDisplay": "12"
}
,{
"name": "RevContent - In Article",
"component": "12571913",
"insertPoint": "3/5",
"requiredCountToDisplay": "5"
}
]
Argentinas Flavio Mandinga, one of the founding members of Los Fabulosos Cadillacs, has crafted a solo project that explores various sonic textures and defies genre classification. Simply listen to Ministra, a rocksteady-tempo track seemingly inspired by early UB40 with a touch of psychedelics. Later comes Polaroid 66, which draws from Brazilian ´80s rock via its soft guitar and drum patterns. Doo-wop tune La Herida brings further eclecticism, with bittersweet lyrics detailing the pain of a broken heart that will never mend. Then the album meanders into ´60s-style territory with the straight-ahead rocker Oportuna. Yet another highlight is Cristina, which contains elements of cumbia blended with electronic beats by DJ Bochokenado, who also guests on the bolero-tinged Tropicana So. In a CD with so many divergent tendencies, weaker moments are inevitable. Retirada Murguera Porteña, an instrumental track, completely fails to excite; the same goes with the rockabilly-inflected De Story of De Loko. But despite these two shortcomings, Supersaund 2012 is a pleasantly challenging work. Fans will likely take some time to get the albums concept, but once that happens, the music might just stick for a long time.