Somewhere during a debauched Winter Music Conference party at Cameo, Diddy approached Ford and Helders, professing a love for both acts. What followed was an only-in-Miami stretch of early-morning partying at the mogul's mansion, the sleep-deprived results of which can be spotted on YouTube. (Search for the clip titled "The View From Sean's House Party.")
What also resulted, apparently, was a friendship. "I think Matt kind of had a bromance with him for a while," says Monkeys bassist Nick O'Malley. "When we played in New York, he came into the crowd and tried to get to the barrier, dancing along to one of our songs while people freaked out."
And who can blame him? The Monkeys' brew is inviting, built on the traditional guitar muscle of the best Northern English indie rock. Even the notoriously cranky Noel Gallagher of Oasis once compared the band, favorably, to his own in the pages of NME. But where Oasis and the like reveled in a sort of beer-soaked near-hooliganism, the Arctic Monkeys have always gone for a purer, less dangerous sonic joy. It's one that's undercut by English wit and more than a hint of moodiness, though. Their breakout 2005 crossover single, "I Bet You Look Good on the Dancefloor," was a rousing indie dance favorite, but its lyrics seemed to mock the sung-about hipster queen as much as they lusted over her.
It's a light/dark duality the band has further explored on its subsequent albums, most markedly on its most recent disc, last year's Humbug. "At the time, I had been listening to a lot of Pink Floyd and Nick Cave," O'Malley recounts. "But for the next one, we're talking about doing something fast, all the way through. We always wanted to do that and were going to for the last one — but then we didn't want to leave the slow songs out!"
