De Acha has long been producing solidly professional work, but lately his talents have really blossomed. In one production after another this season -- Hamlet, Anna in the Tropics, Madame Melville, The Credeaux Canvas -- his staging has been consistently subtle, sensual, literate, evocative, and (most important) clear. De Acha has shown an exceptional ability to bring a play's text and subtext to theatrical life. It's no wonder so many writers enjoy working with him. The courtly Cuban-born, New York City-trained director is also a master of musicality, using elements of rhythm, tone, and harmonics in his productions. Hardly surprising, as he's also an experienced opera director.

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