Broward Center for the Performing Arts
Keith Douglas

The world of five-star restaurants is kind of like the world of the theater. In both cases, the roiling backstage environment is a far cry from the perfectly presented machine the audience sees. Sean McClelland's scenic design in the Broward Center's Fully Committed envisioned the lowest rung in a restaurant's totem pole, a reservations room tucked away in the bowels of the restaurant, notches below even the private, profanity-laden hothouse known as the kitchen. As the place where an overworked phone jockey spent one hectic evening fielding phone calls from friends, parents, rivals, superagents, and desperate debutantes, McClelland's design was part man-cave, part dungeon, part collection of curiosities whose lack of explanation added to the set's quirky memorability. As uninviting as a Third World prison yet stuffed to the brim with ornamental gewgaws, the set epitomized its inhabitant's saving grace: his ability to bring character and color to a drab, soul-draining job.

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