The first thing to say about Rogue One is that it might be the most visually splendid Star Wars movie to date — with its mist-covered mountains, its tsunamis of dust and fire, its X-wing fighters blazing through rainswept nights. I’ve never been a big fan of director Gareth Edwards…
Here’s a promise few movies can make. If you sink two hours into Collateral Beauty now, it’s guaranteed that for the rest of your life, when conversation stalls, you can save the night by asking, “Did you ever see that movie where Will Smith plays an ad executive so shut…
One reason why Isabelle Huppert makes suffering so compelling onscreen is her sheer … well, “unflappability” isn’t quite the right word. It’s a kind of ironic distance, perhaps: The actress can convey curiosity, bewilderment and coolness all at once, even as she deals with the most agonizing of circumstances. But…
The cussedness of La La Land is almost enough to recommend it. Damien Chazelle’s sumptuous tribute to romantics trying to keep lit the fire of a guttering culture is defiantly old-fashioned in form and style. It is, among other things, a throwback to the great MGM musicals of the Gene…
Incorporated comes on like the kind of TV show you think you have to pay close attention to. There’s more consideration of climate change in the tense Syfy dystopian thriller than in all four-and-a-half hours of this fall’s presidential debates. As the series opens, stern white titles on a black…
It’s December, which means it’s time to curl up in front of the TV in a fetal position and pray for 2017. Since this year has been Satan’s masturbatory fantasy, we deserve to glue our eyelids open and soak in the sweet, sweet escapism. And on January 1st, fortified by…
In October, 200 coffee shops across the United States and Canada were made into Luke’s Diner for a day to promote the new revival of Gilmore Girls. No special signings or souvenirs — just the regular drink in a commemorative sleeve, served by the usual barista in a branded apron,…
Look, Shia LaBeouf was approximately the 27th worst thing in that last Indiana Jones movie, and his intense-yet-distracted turns in the Transformers series aren’t legit strikes against him. Would you have turned down all that money to be posed by Michael Bay for a couple months every few years? Now,…
Eventually, there will be so many films about a sullen or damaged man returning to his provincial town to face the demons of his past that Netflix will make a separate category for them. At their worst, these movies are navel-gazing vanity projects for their writers and directors (Cameron Crowe,…
Miss Sloane opens with a clever gambit: Jessica Chastain’s face fills the screen in a tight close-up as she talks about strategy, breaking the fourth wall. From its opening minutes, the audience is put at the mercy of a charismatic figure and forced to piece together what she might represent…
Alia Shawkat’s great comic skill is for the continually fresh expression of a determined disgust. That eager face of hers, beneath its constellations of freckles and her great Harpo-frizzed curls, is forever souring up with disappointment, even as her characters strive not to let this on. To feel let down…
When last we saw Howard Hughes onscreen, Leonardo DiCaprio was repeating “the way of the future” ad infinitum as he gazed into the mirror. Warren Beatty’s long-in-the-making Rules Don’t Apply isn’t nearly as concerned with the future as Martin Scorsese’s The Aviator was, looking instead to the past and all…
Outside of dudes killing dudes, there’s little the moviegoers seem to love more than weddings, a truth that Elite Zexer’s heartsick desert drama Sand Storm exploits for a first-act sucker punch. The nuptials that teen Layla (Lamis Ammar) is driving her father Suliman (Hitham Omari) toward, the frame of a…
As Allied opens, Brad Pitt parachutes so gently and quietly onto a stretch of Moroccan desert that at first you think he might be dead. And maybe he sort of is — maybe he has to be. Pitt’s Max Vatan is a pinched, terse figure in the first act of…
Oh man, are we in a backlash on liberal, PC culture right now. I mean, if you can call electing the KKK’s and Nazi party’s greatest white hope to the highest office in the world a backlash. I can’t even count how many people — strangers, family, trolls — have…
Maybe it was the agitated, election-induced state of mind I was in when I saw it, but Disney’s Moana feels like a movie about how easy it can be to give up, and how important it is not to. It’s funny, joyful, and sweet, and yet down below, running beneath…
When you call cows, you say co’boss. And when you call sheep, you say co’da. This information is relayed to us in the first few minutes of Peter and the Farm by Peter Dunning, who’s lived and worked on 187 acres near Brattleboro, Vermont for the lion’s share of his…
Ben Younger’s workmanlike but nevertheless rousing Bleed for This accomplishes something that’s a tall order for any boxing movie: It makes the inspirational training-montage sequences weird. Those are generally the most requisite and unexciting element of the genre, but Bleed for This freshens them thanks to the strange and disturbing…
Fantastic Beasts and Where to Find Them, written as an original screenplay by author J.K. Rowling, is an expansion of her Harry Potter universe, and a test: Without lovable, adolescent leads Harry, Hermione Grainger, and Ron Weasley, or the elaborate narrative backbone provided by Rowling’s novels, can the wizarding world…
Aisholpan Nurgaiv has never met this eagle she’s posing with — borrowed from a local animal wrangler — on a balcony at the London Hotel in West Hollywood. In 90-degree heat, she’s a 15-year-old girl sweating in her Mongolian winter clothes, including a hat made from the first fox she…
In one of the more bizarre coincidences of film scheduling, the brief life of a TV journalist whose biggest scoop was announcing her own death on air is recapitulated for the second time this year. Released in August, Robert Greene’s porous documentary Kate Plays Christine highlights the impossibility, even the…
Tom Ford has entirely overstuffed his nesting-doll domestic drama-cum-thriller Nocturnal Animals, and yet I spent much of the film worrying that it might not have a point. Its aesthetic footprint is huge, but its impact decidedly small scale. That’s not always a bad thing; there’s a perverse elegance to so…
