We’ve come a long way since American Psycho. And also not. When co-writer/director Mary Harron premiered her Bret Easton Ellis adaptation in 2000, the kneejerk assumption for audiences who’d only seen the trailer was that surely a man had made the ultra-bloody black comedy. The film was dismissed before it…
In lieu of a traditional title card, Indivisible offers a corker of an opening sequence that begins with three young women walking home from the beach like hungover soldiers in soft morning light until a blue panel van displays the original Italian title: Indivisibili. In between, that trio of up-all-night…
Writer/director Osgood Perkins has been peeking at my Shirley Jackson book collection, and he’s already read through my favorites: The Haunting of Hill House and We Have Always Lived in the Castle. His sophomore feature, I Am the Pretty Thing That Lives in the House, is a magical amalgam of…
“They should have sent a poet,” says Jodie Foster’s teary-eyed astronaut as she gazes upon the glory of space in Contact. It took nearly 20 years, but Terrence Malick has taken it upon himself to answer that call with Voyage of Time. Not every line rhymes, and some privilege sound…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. Writer/director Ivan I. Tverdovsky may be a twentysomething male, but in his sophomore feature, he exhibits a direct pipeline into the psyche of a lonely, middle-aged woman. In Zoology, a lowly zoo worker suddenly sprouts…
Better Things’ creators seem to anticipate that you’ll judge Sam Fox’s parenting – and they make you pay for it. In the first scene, Sam (Pamela Adlon) scrolls through her phone on a mall bench while her youngest daughter, Duke (Olivia Edward), cries and pulls on her arm. It’s one…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. When a quiet film is set outside of the big cities — New York, L.A., Chicago — it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people…
According to Forbes, Fan Bingbing made $17 million last year — more than any actress on the planet not named Jennifer Lawrence, Melissa McCarthy, Scarlett Johansson or Jennifer Aniston. The Chinese megastar is likely most familiar to American audiences for a blink-and-you’ll-miss-it role in X-Men: Days of Future Past, but…
At first glance, TV (The Book), which came out last week, may look like a survey of what two respected TV critics consider to be the greatest television shows of all time. But, really, it’s a book about friendship. The joint authors of this tome, Alan Sepinwall and Matt Zoller…
To show all that he can do, to show something of what life’s actually like, Donald Glover first has to break your heart. Glover – the star, creator, and often writer of FX’s tense, downwardly mobile hangout comedy Atlanta – is best known, still, as a handsome clown on NBC’s Community, Dan…
Set aside your visions of histrionic, paranoid fireworks. Oliver Stone’s whistleblower biopic Snowden finds the director in an unusually somber and controlled mood, perhaps because of the introverted, awkward nature of Edward Snowden himself. The former CIA employee and National Security Agency contractor, who in 2013 exposed the U.S. government’s…
What’s constant in Katherine Dieckmann’s films – Motherhood (2009), Diggers (2006) and A Good Baby (2000) – is an attention to characters and place. Many of us in the world of film reside in the big coastal cities, but a good number come from somewhere else, smaller towns with subtle…
Looking back at this dismal summer of superhero adaptations, I am reminded of something Chris Rock said during the 77th Academy Awards: “There are only four real stars, and the rest are just popular people.” This was February 2005, mind you — a few months before Christopher Nolan’s Batman Begins…
The Hollars tells the familiar tale of a dysfunctional family pulled together by unfortunate circumstances. John Hollar (John Krasinski, who also directed) is a frustrated graphic novelist with a pregnant girlfriend, Rebecca (Anna Kendrick). When he gets the news that his mother, Sally (Margo Martindale), has a brain tumor, he…
Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles and pratfalls provide the laughs in the atypical romcoms built around her, films that rely heavily on the comedy of idiosyncrasy. Bridget is no outsider: She’s a straight, white, middle class, university-educated woman with a London apartment, a media…
The Circus: Inside the Greatest Political Show on Earth airs Sundays on Showtime In filmmaking, an assembly cut is when recent dailies are strung together in rough narrative order to create the first, very raw draft of the movie. Though it by no means lacks polish or editorial intent, Showtime’s…
The Bachelor stands erect as the vanguard of heterosexual romance competitions. Bachelor in Paradise (BIP), whose third season concludes this week, is the sunburnt, daydrunk cousin of the ABC franchise. Set in the Ewok Village on the Planet Endor (the perfect place to fall in love), the summertime distraction stars…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
Eight minutes into the pilot episode of Cinemax’s new crime show Quarry — an uneven but largely rewarding translation of Max Allan Collins’ crime books into emotionally challenging, character-driven television — Marine Lloyd “Mac” Conway, Jr. (Logan Marshall-Green) returns home a day early from his second tour in Vietnam. By…
Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…
Before The Eric Andre Show came along, I always thought acting like a complete lunatic on television was mostly a white-people thing. As a culture, African-Americans generally frown upon the idea of being unabashedly clownish for the masses — black folks call it “showing your ass.” All those years of…
Cities, like young people, are forever becoming something new. The latest tender charmer from Ira Sachs chronicles the growing pains of teens and Brooklyn with the wry sensitivity and eye for economic reality that distinguished Sachs’ Love Is Strange (2014) and Keep the Lights On (2012), which began a sort…
