When we first meet the title character in Olive Kitteridge, she considers the revolver in her hands and looks up at the cloudless sky above the woods one last time. The 25-year journey (and the accumulation of mistakes and bad luck therein) that leads the elderly Olive to that moment…
There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is a gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who co-wrote…
Among its many attributes, Justin Simien’s exuberant debut feature, Dear White People, proves we’re not yet living in a “postracial America”: Forget for a moment there are so many vexing problems entwining race, class, and economics that we haven’t been able to put a Band-Aid on, let alone solve. In…
Mathieu Amalric’s brisk, agreeably nasty thriller The Blue Room turns on a couple of murders — or does it? — but rather than corpses, it’s time and space and human connection that get most memorably diced here. Working from Georges Simenon’s ’64 novel of a wrong man accused — or…
You can’t live in New York for more than ten days without meeting some truly dreadful people: couples who fret about having to choose between buying a summer home and having a second child, even as you’re struggling to pay your monthly rent; large groups of people getting together for…
Jake Gyllenhaal is used to exhaustion. During his research for the LAPD drama End of Watch, he spent five months patrolling the streets with real-life police officers until 7 a.m. It was good preparation for his new movie Nightcrawler, a blistering portrait of a morally corrupt crime-scene videographer who works…
With the first two documentaries in her post–9-11 trilogy — My Country, My Country, a portrait of Iraq under American occupation, and The Oath, which focused on two Guantánamo Bay prisoners — Laura Poitras seemed to be making a bid for the title of film’s most vigilant observer of American…
God save us from old coots and the actors who play them. Is that a terrible thing to say? Actors, like the rest of us, grow old, and there aren’t a whole lot of good roles available to them. But do we really need to see Robert Duvall playing a…
It says something about current global affairs that a movie set during the UK miners’ strike of the mid-1980s — an event that tore lives to shreds, representing a dismal and damaging period in late-20th-century British history — is likely to make you feel better rather than worse about the…
This Dracula Begins-style sword-and-fangs curio plays like someone said, “What if we took a vampire flick but did a find-and-replace, swapping out all that bare-neck sensuality for some videogame ass-kicking?” Or: “Remember what the Star Wars prequels did for Darth Vader? Let’s foist the same kind of tragic love story…
It was a mystery that reporter Gary Webb would have jumped on: a man who’d made powerful enemies allegedly committing suicide with two gunshots to the head. The tragedy is that Webb was the deceased. Michael Cuesta’s earnest, ire-inducing Kill the Messenger is a David-and-Goliath story where truth is the…
The best that can be said of The Pact 2 is that its existence might draw the attention of more viewers to The Pact, a superior indie creep-out from 2012 whose creator, the writer-director Nicholas McCarthy, fashioned it according to three inviolable principles. One: Get the heroine (Caity Lotz) into…
A gloom hangs over writer/director David Ayer’s brutal war drama Fury that only the audience can see. It’s April 1945, and we know that in weeks the Nazis will surrender. The war is already over — Hitler just hasn’t admitted it. American sergeant Don “Wardaddy” Collier (Brad Pitt) suspects as…
The big news: In its first half, before it bottoms out with the rankest feel-goodery, Theodore Melfi’s too-familiar ain’t-he-irascible comedy-drama St. Vincent features scene after scene of Bill Murray actually trying to make you laugh. How long has it been? He plays Vincent, a drunk-driving Brooklynite whose look suggests science…
Should we trust artists to tell the story of artists? On the plus side, who understands them better? If there’s a secret language of imagination and creativity, then the members of this sprawling tribe must be the ones who speak it best. On the other hand, could there be anything…
The tragedy of Jason Reitman’s Men, Women & Children is that it was released the year it was made. A snapshot of today’s cultural disconnection, in which Facebook, texting, World of Warcraft, and streaming smut lure people away from dinner with their families, the film’s so current that its observations…
You can’t live in New York for more than 10 days without meeting some truly dreadful people: couples who fret about having to choose between buying a summer home and having a second child, even as you’re struggling to pay your monthly rent; large groups of people getting together for…
Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…
Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…
After The Princess Bride made Robin Wright a star, she shocked Hollywood by saying no. No to The Firm and Robin Hood: Prince of Thieves. No to Jurassic Park, Dirty Dancing, Born on the Fourth of July, and Batman Forever. She even said no to the cover of Vanity Fair…
Simon Pegg has always been more like a cartoon than a real boy. He’s one part Charlie Brown to two parts Tintin, a round-faced runt who can channel both childlike depression and old-fashioned cowlicked pluck. In Pegg’s new film, Hector and the Search for Happiness, director Peter Chelsom simply allows…
There are few things more terrifying than a scary story that’s based on some truth. Sure, when it comes to movie adaptations, Hollywood will exaggerate the gory details here and there, but the underlying foundation is real. Such was the case with last year’s The Conjuring, based on the lives…
