Godzilla and Flowers: The Films of Kim Jong Il

When he died in December 2011, Kim Jong Il left behind more than a dynastic regime and a closet full of drab pantsuits. Jong Il, who ruled the hermetic North Korea from his father Kim Il Sung’s death in 1994 until his own passing 17 years later, was a noted…

Rust and Bone Is an Outrageous Melodrama

To paraphrase Oscar Wilde, one must have a heart of stone to watch Jacques Audiard’s outrageous melodrama Rust and Bone without laughing. Loosely adapted from two works in Craig Davidson’s 2005 short-story collection of the same name, Rust and Bone finds Audiard returning to the overdetermined characters and swift redemption…

The Thrilling Manhunt of Zero Dark Thirty

“Just so you know, it’s going to take a while,” says the CIA officer to his newly arrived colleague at the start of Kathryn Bigelow’s Zero Dark Thirty. The year is 2003, the place a secret prison (or “black site”) somewhere in the deserts of the Middle East or Asia,…

Ten Movies to Watch in 2013 in Theaters, on Demand, or Wherever

Most of the blathering last year about the death of film and film culture has already evaporated from the mind, like so much inert gas. But one gnomic pronouncement endures: Leos Carax describing cinema as “a beautiful island with a cemetery” following the world premiere of Holy Motors at Cannes…

The Maximalist: In His Great Tabu, Miguel Gomes Offers More

Perhaps in response to bombastic mainstream Hollywood, international auteurs often veer toward minimalism — quieter emotions, slower tempos, a tightly defined era and setting. Portuguese filmmaker Miguel Gomes is clearly a man of the art house — his new film, Tabu, which opens this week, was shot on 16mm black-and-white…

Unchained Malady: Quentin Tarantino Emerges From a Chaotic Couple of Years With His Most Ambitious Film to Date. Will the Academy Really, Really Like It?

Quentin Tarantino has been Googling himself, and it’s starting to become a problem. The filmmaker, whose eighth feature, Django Unchained, opens on Christmas Day, is famously an analog evangelist: He writes his scripts in longhand; he bans cellphones from his sets, and hasn’t had one of his own in years;…

Jack Reacher Movie Review: Tom Cruise Reaches and Scores

In his 2005 novel One Shot, writer Lee Child lays out nine rules for surviving a five-against-one alley fight, a challenge his hero, the ex-Army cop Jack Reacher, is about to face. These include “Be on your feet and ready.” “Identify the ringleader.” “Don’t break the furniture.” Rule number nine…

The Eye of the Storm an Emotionally and Psychologically Textured Melodrama

Emotionally and psychologically textured melodrama suffers under the weight of its source material in The Eye of the Storm, Fred Schepisi’s adaptation of Australian Nobel Prize winner Patrick White’s 1973 novel. Schepisi’s direction has a measured stateliness that, in conjunction with Kate Williams’ graceful editing, lends quiet, dreamy intensity to…

Seth Rogen, Barbra Streisand Shine in The Guilt Trip

In Anne Fletcher’s buddy comedy The Guilt Trip, Seth Rogen is Andy Brewster, an organic chemist frustrated in his entrepreneurial efforts at selling the natural cleaning product he has invented. About to embark on a multicity sales jaunt, he invites his mom (Barbra Streisand) along, ostensibly to spend time with…

Django Unchained Upends the Western — and America’s Original Sin

Watching Django Unchained, it’s easy to imagine that Quentin Tarantino had such a blast making his last picture, the ebullient Holocaust fantasia Inglourious Basterds, that he decided to take his whole blood-spattered historical tent show on the road, this time putting down stakes in antebellum Dixieland. Although not technically a…

The Big Picture Invites Comparison to The Talented Mr. Ripley

“You’re as free as the wind,” says Paul Exben (Romain Duris) to the son of a legal client to whom he has offered the choice of drug rehab or disinheritance from the family’s fortune. Oh, irony. Paul is himself encumbered with a career he hates and a family he suspects…