Margaret Thatcher as Victimized Woman in “The Iron Lady”

In the first scene of The Iron Lady, 80-something Margaret Thatcher is presented as a little old lady unfit for the fast-moving world outside her hermetic London townhouse. The bulk of the movie takes place in an even smaller, more airless space: the dementia-stricken former British prime minister’s head. The…

The Parental Rage of Brownstone Brooklyn in “Carnage”

In Carnage posh pair Alan and Nancy (Christoph Waltz and Kate Winslet) come to the home of wholesaler Michael (John C. Reilly) and crunchy author Penelope (Jodie Foster) to discuss how to deal with the fact that the former couple’s son hit the latter couple’s son in the face with…

Contraband Review: Mark Wahlberg’s One Last Job

Will there someday be a movie where the “one last job” goes off without a hitch? Not Contraband, anyway, which begins with that time-tested premise, then subjects its protagonist to a feature-length demonstration of Murphy’s Law. Chris Farraday (Mark Wahlberg) is the retiree runner reluctantly reactivated, a legend who once…

The Birth of Psychoanalysis in “A Dangerous Method”

A Dangerous Method is something of an understatement. As cataclysmic as it is, this historically scrupulous science-fiction romance concerning the discovery of the unconscious mind might have been titled War of the Worlds or The Beast From 5000 Fathoms. The film is at once a lucid movie of ideas, a…

Back to the Cold War With “Tinker, Tailor, Soldier, Spy”

Tinker, Tailor, Soldier, Spy is predicated on a pair of enigmatic personalities: a colorless bureaucratic master spook, George Smiley; and a double agent the Soviets have planted near the top of British intelligence whom Smiley must unmask. Although not without violence, the story is essentially a procedural in which, playing…

Top Ten Movies for 2012

We know — you’re excited about The Dark Knight Rises. And The Avengers. And The Hunger Games. So are we. We’re also excited about a lot of other movies whose marketing campaigns have not inundated us with white noise (yet). Allow us to suggest a few more films to put…

Top Ten Movies of 2011

1. Margaret Margaret, written and directed by Kenneth Lonergan (You Can Count on Me), starring Anna Paquin with key supporting performances from Matt Damon and Mark Ruffalo, is a coming-of-age tale infused with post-9/11 anxiety. Margaret features Paquin — in the performance of the year — as Lisa, a Manhattan…

Movie Industry People of 2011

Kristen Wiig Six years of Saturday Night Live was threatening to calcify Kristen Wiig’s brand of highly physical yet conceptual comedy of awkwardness. Turns out she was working on a second act all along: As cowriter and star of the summer blockbuster Bridesmaids, Wiig proved, first and foremost, that female-fronted…

It’s Feminist Revenge in “The Girl With the Dragon Tattoo”

The Girl With the Dragon Tattoo is a svelte remake of the 2009 Swedish blockbuster, a movie that opens with a bit of Led Zeppelin grandiosity (covered by Karen O) and a credit sequence of scary satanic rubber-fetish ickiness. Set in a freeze-your-blood land of streamlined chrome, steely dawns, and…

“Sleeping Beauty” Fails to Stir

Frustratingly opaque, Australian novelist-turned-filmmaker Julia Leigh’s debut feature opens with an unforgettable image: A young woman, earning some extra cash as a medical-research subject, patiently sits as a long tube is threaded down her esophagus. Sharp and precise as its tableau might be, though, Sleeping Beauty never burrows into the…

World War I Gets the Spielberg Treatment in “War Horse”

War Horse finds the silver lining of individual salvation in one of modern history’s darkest thunderclouds: World War I. As the English lad Albert (Jeremy Irvine) bonds with the beloved, half-thoroughbred steed he has named Joey and, once the horse is conscripted by the British army, follows him onto Flanders…

“The Adventures of Tintin” Loses and Gains Going From Page to Screen

The Adventures of Tintin rolls together plot elements from three comic-book adventures starring Tintin, first introduced in 1929 and one of the all-time most iconographic characters in comic art. After stumbling across a mysterious clue in a model ship, Tintin (voiced by Jamie Bell) bands together with the brawling, bibulous…

“Seducing Charlie Barker” Tries for Woody Allen Without Woody Allen

An arrogant, struggling actor leaves his wife for a sexy, unstable younger woman, which would be a perfectly serviceable starting point for Ibsen or Woody Allen. Yet in adapting her recent play The Scene, Theresa Rebeck can’t find a consistent tone for her material or players. Charlie (Stephen Barker Turner)…

Matt Damon Needs Your Love in “We Bought a Zoo”

Six years off from feature filmmaking, Cameron Crowe returns with a film he did not write, but one he rewrote, based on the real-life story of Benjamin Mee, a Brit newspaper columnist who picked up from his idyllic new digs in the South of France and went off to rescue…

Extreme Sex Addiction in “Shame”

Steve McQueen’s first two films both star Michael Fassbender, feature virtually interchangeable titles, and are nearly as grueling to watch as they must have been to make. But where Shame might be nearly as excruciating as 2008’s Hunger, it’s a lot less exalted. In Shame, Fassbender’s 30-something Manhattan office drone…

Butch Cassidy Is Alive and Well and Living in “Blackthorn”

Riffing on how outlaw Butch Cassidy’s life might have gone had he survived in South America, this modest oater should tickle Western fans. (I assume there are a few of us left.) Blackthorn finds Cassidy (Sam Shepard) still in Bolivia, breeding horses, bedding his Indian housekeeper (Magaly Solier), and making…