Boardgames and Liaisons Spread the Joy in “Happy, Happy”

One miserable couple collides with another in the cringe comedy Happy, Happy, a prizewinner at Sundance and Norway’s official submission for the foreign-language-film Oscar. Kaja (Agnes Kittelsen), a chipper teacher of German and “arts and crafts” at a local junior high, lives to please her disengaged closet-case husband, Eirik (Joachim…

“The Double” Is Post-Cold War Spy Film, Grade-B Hokum

The Double, Michael Brandt’s post-Cold War spy film, is grade-B hokum, but it’s not without its occasional generic thrills. Apparently more adept at staging individual set pieces than he is at building tension, creating believable characters, or stringing together a coherent narrative, Brandt places his best sequence, a successful jailbreak…

“The Son of No One” Must Learn to Live With His Past

For his third film, outer-borough sensationalist Dito Montiel sets most of the action in Astoria, the Queens neighborhood that dominated his first, 2006’s A Guide to Recognizing Your Saints. He reteams with Channing Tatum, the star of all his features, here playing Jonathan White, a second-generation cop tormented by the…

“Take Shelter” in a World Without Safety Nets

Standing outside his small-town Ohio home, his wife and child busy preparing breakfast inside, Curtis LaForche (Michael Shannon) looks up at the ominous, slate-gray sky in the first scene of Take Shelter. The clouds open, raining down oily, piss-colored droplets. It’s end-of-days weather, a phenomenon that only Curtis seems to…

“Sholem Aleichem: Laughing in the Darkness” Is a Collective Family Album

Joseph Dorman’s Sholem Aleichem: Laughing in the Darkness is a film-essay-cum-biodoc on author Solomon Rabinovich (1859-1916), who, taking as his pen name the Yiddish greeting Sholem Aleichem (“Peace be with you”), was at once popular writer, literary artist, and Jewish culture hero. Laughing in the Darkness opens with the inevitable…

Musically Gifted Young Woman Suffers Tragedy and Injustice in “Mozart’s Sister”

In heavily outlining the tragedies and injustices that befell the musically gifted older sister of Wolfgang “Amadeus,” writer/director René Féret underplays the most interesting elements in this story of Maria Anna “Nannerl” Mozart. Forced by their father to tour under hellish circumstances, young Wolfgang and Nannerl traverse Europe year-round, performing…

“3” Tells the Tale of a Bed-Dead Relationship That Finds New Life

After 20 years together, 40-ish arts professionals Hanna (Sophie Rois) and Simon (Sebastian Schipper) have succumbed to bed death. Other stresses burden the relationship: the passing of Simon’s mother, his diagnosis of testicular cancer soon after, the insistence of writer/director Tom Tykwer (Run Lola Run, The International) on constantly using…

“The Way” Is a Warm Travelogue Tale of Fathers and Sons

The Way might lack the Chicken Soup for the Soul imprimatur, but writer/director Emilio Estevez’s travelogue tale of fathers and sons (starring his own dad, Martin Sheen) trades in a kindred brand of warm, soothing uplift that viewers might read as insight into the Sheen family saga; we did not…

When Not Sobbing or Sleeping, “The Tree” Helps the Dead Speak

No one grieves onscreen quite like Charlotte Gainsbourg, here playing Dawn, made a widow within the first ten minutes of The Tree. When not sobbing or sleeping, she expends her depleted energy wrangling her four kids, ranging from toddler to teenager, who scamper around their stilt-built house in Boonah, a…

“Dolphin Tale,” a Corny Family Heartwarmer, Still Manages Depth and Sensitivity

Of this year’s corny family heartwarmers based on true aquatic stories of coping with the loss of appendages, director Charles Martin Smith’s boy-and-his-dolphin melodrama at least earns your empathy — unlike the disingenuous Christploitation of Soul Surfer. Off the Florida coast, skittish grade-schooler Nelson (Nathan Gamble) strikes an immediate bond…