“Hanna” a Crisp Thriller With Virtuoso Filmmaking and Retro Politics

Hanna tells a tech-savvy fairy tale, replete with a wicked witch, uncertain parentage, and chop-socky mixed martial arts. Yet despite its 21st-century trappings and proto-feminist protagonist, Hanna strangely reverts to reactionary politics as usual. When we first meet 16-year-old Hanna (Saoirse Ronan, a Tilda Swinton in training who trafficks in…

Love, French-Canadian Style in “Heartbeats”

Heartbeats, the second feature from 21-year-old wünderkind Xavier Dolan, is an Instagram of the way we fuck now — or, more precisely, the way gorgeously costumed and coifed French-Canadian early-20-somethings fuck and/or fail to fuck while tripping over their own misguided attempts to land in love. The film bounces between…

“Soul Surfer” a Teen Movie of the Week for the Beach

Adapted from the memoirized 2003 tragedy to triumph of Hawaiian teen surfer Bethany Hamilton — who famously returned to her board a few weeks after a tiger shark snapped off her left arm — Soul Surfer offers a ghastlier sight than your wildest 127 Hours -meets-Jaws nightmare: barefaced Christian pandering…

“Arthur” a Remake Without the Pleasures From the Original

In this rethink of the 1981 screwball throwback, the titular drunken heir, originally played by lovable lump Dudley Moore, has been rebuilt to suit slinky British sleaze-comedian Russell Brand, whose constant nattering rarely transcends throat-clearing improv. Still supposedly a debauchee, Brand’s Arthur cruises Manhattan in too-tight schoolboy suits and fawns…

Indie Edges Sanded Down Completely in “Win Win”

Paul Giamatti continues contemporary cinema’s longest pre-midlife crisis in Win Win as Mike, yet another schlubby 40-something flummoxed by mundane personal problems. Mike is the coach of the county’s worst high school wrestling team, and his failing small-town law practice has accrued a mountain of debt, which he’s too chicken-shit…

“Born to Be Wild 3D” Too Quick to Explore the Real Wilds

Gigantic form, diminutive content: Born to Be Wild 3D, presented in expansive IMAX and narrated by Morgan Freeman, offers a visually arresting, kid-friendly but cursory portrait of the altruistic efforts of two women to not only rescue orphaned baby animals but to then raise and ultimately release them back into…

“Your Highness” Dishes Dirty Jokes for the D&D Crowd

Your Highness plays like a dirty-joke blooper reel made by the cast of a junky sword-and-sorcery epic, streaked with carelessly contemporary-sounding blue humor, blunt profanity replacing the naughty-naughty, tankard-sloshing, heaving-bosom ribaldry that goes with the period setting. The scene: a generic medieval realm from an EverQuest or Forgotten Realms module…

“Monogamy”: So Much More Than a Hipster Blow-Up

The romanticized commitmentphobia that keeps Judd Apatow in gilt-fixtured man caves is brought down to Earth (or Park Slope, anyway) in this inventive indie thriller. Monogamy follows 30-something Brooklynite Theo (Chris Messina) as he simultaneously slogs through his day job as a wedding photographer, preps for his own impending nuptials…

“Insidious”: The Saw duo Take us Through a Haunted House

There is a great deal of prowling motion in Insidious: a recurring sideways dolly outside a haunted house, a trench-coat-clad cacodemon pacing outside a second-story window. It’s the restless motion of a movie stalking its prey — you, dear viewer. Patrick Wilson and Rose Byrne are moving their family into…

“Potiche” Serves as a Feminist Parable

As Suzanne, Catherine Deneuve plays the title role in Potiche, a 1970s period piece that translates as “trophy wife.” She is married to the smarmy, unfaithful Robert (Fabrice Luchini), whose primary attraction to Suzanne appears to have been motivated by the umbrella factory she inherited from her father, which Robert…

A Fairly Capable Adaptation of “Diary of a Wimpy Kid”

With stick figures and crisply funny journal entries, Jeff Kinney’s cartoon series breathed fresh life into preteen lit’s most exhausted trope — the twisted tribal etiquette of middle school. Screenwriters Jackie and Jeff Filgo’s respect for Kinney’s sharply observant dialogue is the chief virtue of this fairly capable screen version…

Bureacracy Collides With Compassion in “The Human Resources Manager”

Tender irony and dark humor abound in Israeli director Eran Riklis’ latest account of bureaucracy colliding with burgeoning compassion. This follow-up to 2008’s Lemon Tree, based on the novel A Woman in Jerusalem by A.B. Yehoshua, hits the road when the restless personnel director (Mark Ivanir) of a large Jerusalem…

“Kaboom”: Beautiful Horndogs Get Blown

As spacey as its title suggests, Gregg Araki’s latest youth film is an occult mystery set in the ultimate SoCal college playpen. Kaboom is Scooby Doo with sex, drugs, and tattooed hotties; following on the heels of Araki’s relatively commercial stoner farce Smiley Face (2007), the movie makes you wonder…

Keeping the Faith in “Of Gods and Men”

The eight gentle Trappist monks depicted in Of Gods and Men uphold the faith that brought them from France to Algeria only to be abducted and massacred, presumably by fanatics of a rival religious persuasion. The movie, based on a 1996 event that continues to resonate in France, opens on…

“Poetry”: A Perfectly Performed Ode to a Senescent Woman

As in his equally exceptional last film, Secret Sunshine (2007), Lee Chang-dong’s Poetry is a perfectly paced and performed character study of a woman raising a child on her own who must contend with a heinous act of violence. In her 60s, Mija (the marvelous Korean screen vet Yun Jung-hee)…

“Limitless”: One Pill Makes You Smarter in a One-Note Movie

A gleeful celebration of nonstop doping, Limitless offers up a dim Better Living Through Chemistry fantasy that refuses to rain on its own pill-popping parade. With long, disheveled locks and matching facial scruff, novelist Eddie (Bradley Cooper) struggles with writer’s block until he runs into his ex-brother-in-law, Vernon (Johnny Whitworth)…

“Looking for Palladin,” With Ben Gazzara Playing a Reclusive Screen Legend, at Least Looks Like It Was Fun to Make

Andrzej Krakowski pegs his water-treading labor-of-love indie to the always-cool but here too-blithe Ben Gazzara, playing a reclusive screen legend dodging a pushy agent. (Guatemalan location-shooting is the only other attraction.) Suited and ear-pieced on the colorful streets of Antigua, Josh Ross (David Moscow, kinda still “the kid from Big”)…