Given that it’s a sequel/spinoff built around a mostly throwaway gag in The LEGO Movie, The LEGO Batman Movie is funnier than you might think it has any right to be. But those of us who were expecting something more can’t help but feel a twinge of disappointment. The LEGO…
Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…
Contemporary American horror’s obsession with morality and psychotherapy can really be a downer. In 2002, Gore Verbinski expertly remade the J-horror hit Ringu with a layered story about a single mother (Naomi Watts) who watches a cursed videotape. To stop the curse, she travels through the warped psyche of the…
Delving into microeconomics and macroaggressions, Toni Erdmann, the dynamite, superbly acted third feature by writer/director Maren Ade, is social studies at its finest. This quicksilver, emotionally astute comedy operates on many different registers and moods: Whoopee cushions and gag teeth are part of the fun, but so too is a…
The title offers the first clue about what’s off. Calling this movie The Comedian suggests that Robert De Niro will be playing something definitive or archetypal, as if there’s just one kind of stand-up comic, as if he’s representing a genus rather than embodying someone singular. A glut of other…
Take it from the network that rebranded as Syfy: The best trick in The Magicians is its phoniness. The actors share a broad house-style stiltedness and uniform, plasticine good looks — even the same haircut. The sets, costumes and special effects, while often inventive (a baddie with a head made…
Mary Tyler Moore, who died Wednesday at 80, was a reluctant feminist. She wouldn’t even call herself one at all. In 1970, when Moore embodied the character of flighty, 30-year-old single TV news producer Mary Richards on The Mary Tyler Moore Show, there was no other such woman portrayed on…
The entire time Gianfranco Rosi is talking, he’s drawing. Using a graphite pencil against an unlined notebook, the Italian documentary filmmaker instinctively makes quick sketches to illustrate his ideas and anecdotes. Counting off the number of windows on a ship, he draws three little squares. Talking about the deathly Mediterranean…
A Dog’s Purpose, based on the novel by W. Bruce Cameron, combines the philosophical belief that living beings are reborn into a different physical body after biological death with the voiceover narrative technique of Look Who’s Talking. The main character, Dog, dies in multiple wrenching scenes and is subsequently reborn;…
There are two distinct movies in Gianfranco Rosi’s Fire at Sea, and you could say that somewhere in between them lies the real one. The director, an Italian documentarian whose observational films demonstrate a formal rigor that often brings them close to experimental cinema and installation work, has trained his…
Gold’s value lies chiefly in the hearts and minds of those who seek it. The noble metal has driven humans to perpetrate ignoble acts on their quests to unearth it since at least 5000 B.C.E., when slaves divined for golden veins to lavish their Pharaohs with jewelry. The Incas even…
Quick, name an Archie Andrews personality trait. Yes, he’s red-headed and red-blooded, a horndog naïf with hashtag sideburns who is forever battled over by beauties he can’t be bothered to get anywhere with. But beyond that — who is he? Sometimes he’s in a sugar-sweet pop combo. Sometimes he tools…
“Art is a lie that tells a truth,” Pablo Picasso once said. The aphorism animates Pablo Larraín’s canny and vigorous Neruda, a sidelong biopic of the preeminent Chilean poet and politician, featuring a brilliant Luis Gnecco in the title role, that’s equal parts fact and fiction. (Conversely, Larraín’s film also…
I’m still trying to decide if Sundance’s decision to kick off its 2017 festival with An Inconvenient Sequel, Al Gore’s follow-up to his influential (and terrifying) climate change documentary An Inconvenient Truth, is an act of political confrontation or a sign of helplessness. (Or both?) What kind of message does…
M. Night Shyamalan appears again to be having a moment. His last film, 2015’s grandparents-gone-wrong horror flick The Visit, proved a small hit with critics and audiences alike, and his latest, this week’s multiple-personality abduction thriller Split, seems poised to do likewise. And why not? Both films are effective chillers…
Despite his reputation, M. Night Shyamalan has never lived and died by the twist. His best films, like Unbreakable or even last year’s cheerily nasty wicked-grandparents thriller The Visit, work first as accomplished, emotionally engaging suspense. What’s most memorable about them isn’t the final-act revelations or even the quietly impressive…
Walking out of Jim Jarmusch’s Paterson last May at Cannes, I felt like it was the closest the director had come to making an artistic manifesto. Having seen it again, I’m even more convinced. Jarmusch first arrived in New York back in the 1970s with dreams of becoming a poet,…
Like its subject, the man who took McDonald’s from a single burger shop to a globe-straddling child-fattener, John Lee Hancock’s The Founder can’t stop selling. The first fast-food kitchen, set up in 1953 by the solemn McDonald brothers in San Bernardino, gets celebrated here as rousingly as John Glenn’s first…
One of the quasi-bohemians in Mike Mills’ gauzy 20th Century Women loves to document ephemera, taking photos of everything she owns. A similar instinct — archiving as art — guides Mills’ movie itself, a trip back in time in which era-specific talismans substitute for genuine thought. Though big feels glut…
Maybe it’s a just a sign of the Blumhouse-era horror-movie world we find ourselves in, but there’s something refreshing about a scare flick that (a) actually shows you its monster occasionally and (b) gives you a definite reason to be afraid of it. Hiding things in shadows to enhance audience…
It’s a question the movies ask again and again: How should a person grieve? In Annie J. Howell and Lisa Robinson’s slow-burn pseudo-mystery Claire in Motion, a talented mathematics professor named Claire Hunger (Betsy Brandt) realizes her amateur survivalist husband Paul (Chris Beetem) might not be coming home from his…
For better and for worse, Peter Berg has found his genre. After oscillating between sports (Friday Night Lights), superheroes (Hancock) and even board games (Battleship) without much distinction, the writer, director, producer and actor has made a loose trilogy in which Mark Wahlberg reenacts recent tales of American heroism. Lone…
