James DeMonaco’s Purge series, about a near future in which all crime is legal for one annual 12-hour period, began as a disturbing setup for basic genre thrills: 2013’s franchise-starter was essentially a home-invasion thriller with a dystopian twist. By the time Purge: Anarchy rolled around a year later, the…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
Director Jake Paltrow (Young Ones, The Good Night) met Brian De Palma at a party. He’d had a few drinks and worked up the courage to talk to the legendary filmmaker, who turned out to be surprisingly open and kind. The next day, Paltrow got an email from the friend…
AMC’s Preacher is a surprisingly sedate creation. It moves at such a glacial pace that you have to wonder if the brain trust behind this adaptation of Garth Ennis and Steve Dillon’s gonzo ‘90s Vertigo comic — Seth Rogen, Sam Catlin and Evan Goldberg — forgot it only has 10…
At last, a Hollywood reimagining with a point. David Yates’ two-fisted pulp-studies spree The Legend of Tarzan doesn’t just update Edgar Rice Burroughs’ white-boy jungle-bro for our age of heightened sensitivities and bit rates. It interrogates the very idea of Tarzan, signing the old sport up for the good fight…
An unlikely buddy comedy-drama about the friendship between a suicidal castaway played by Paul Dano and a flatulent corpse played by Daniel Radcliffe, Swiss Army Man doesn’t seem like the kind of movie you’d watch with your mother. So what was it like to be the mothers of the film’s…
Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…
Octave Mirbeau’s The Diary of a Chambermaid, a 1900 novel about the depravities in all social strata written from the point of view of a servant named Célestine, has famously been adapted twice before, by two of cinema’s immortals. Benoît Jacquot’s uneven take on the material won’t challenge the stature…
People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…
Can Steven Spielberg do comedy? That seems like a dumb question, since nobody has done more to bring wit to the modern blockbuster; Raiders of the Lost Ark and Jaws boast as many laugh-out-loud moments as they do thrills. But those gags are often incidental, of the tension-breaking kind. When…
Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…
Hannah Arendt is unlikely to be a social media star. Newly relevant 40 years after her death, the German-born philosopher’s work is distinctly ill-suited to contemporary tools of relevance. Twitter’s context of no context values aphorism, parody and potted wisdom — branded content available in bulk. The author of The…
According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…
Has Paul Rudd become Hollywood’s idea of the face of economic insecurity? There his handsome mug was, in Ant-Man, beneath a Baskin-Robbins ball cap, his character making do behind an ice-cream counter while Marvel made bank in promotional tie-ins. And now, in The Fundamentals of Caring, Rob Burnett’s alternately winning/cloying…
Woodrow Wilson described D.W. Griffith’s notorious Civil War epic Birth of a Nation as “writing history with lightning.” Gary Ross’ Free State of Jones, which covers roughly the same period as Griffith’s film, is more like writing history with index cards. Diligent and informative but also fragmented and inert, it…
Let me tell you all the good things about Nicolas Winding Refn’s high-art, lowbrow horror film The Neon Demon before I tell you what I will not tolerate. After Drive, Refn seems obsessed with his idea of Los Angeles, one where there’s always a full moon, no traffic and everyone…
The most surprising thing about the new buddy action-comedy Central Intelligence is the sight of Kevin Hart playing straight man to another actor’s antics. In previous comedies, Hart has been the pint-sized, fast-talking dynamo at the center of the action. Even in movies where he’s the guy in over his…
If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…
Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…
Even when working from source material crafted by others, Terence Davies, like all singular filmmakers, imprints it with his DNA. At once solemn and lusty, Davies’ page-to-screen transfer of Scottish author Lewis Grassic Gibbon’s 1932 novel beautifully conveys human fragility, our bodies and minds outmatched by the brute indifference of…
Orenthal James Simpson always seemed a singular figure. Hardly anybody got where he got or did what he did. Certainly nobody got away with it. But of course it isn’t just the man who fascinates: It’s the image. This he shares in common with every super-grandee and megastar, every tabloid…
With the perfect timing of a deadpan comic and the keen observational skills of a zoologist, Athina Rachel Tsangari highlights just how bizarre the most banal of human activities can be. In Attenberg (2010), the filmmaker’s previous feature, walking itself is presented as a deranged means by which to move…
