World cinema may have no better builder of delightful scenes than Roy Andersson, the deadpan Swedish existentialist. Each shot in an Andersson film is part diorama, part theatrical performance, part moviemaking the way Thomas Edison did it: Build a set, plant a camera, and stage highly orchestrated comedy and tragedy…
On this week’s Voice Film Club podcast, the LA Weekly’s Amy Nicholson and the Village Voice’s Alan Scherstuhl in New York disagree on just about everything in Ted 2 — except that it has a few very funny moments — but only after revisiting the impressive Inside Out, which is…
Some movies are indefensible, and Ted 2 is one of them. Not only is this a movie about a libidinous, foul-mouthed stuffed bear; it’s the sequel to an earlier movie about a libidinous, foul-mouthed stuffed bear. But I laughed and laughed at Ted 2 — as I did at the…
Me and Earl and the Dying Girl may not be the best teen cancer weepie ever made, if there even is a best teen cancer weepie. But it’s surely the most adorable, for better or worse — less like The Fault in Our Stars and more like Diary of a…
One of the nastiest tricks the bastards ever played was to convince so many artists that it’s best never to be strident. In the name of aesthetics or audience-pleasing or just not wanting to come off as shrill, a great many artists deny themselves — and their art — both…
Part of what makes writer-director Rick Famuyiwa’s Dope so fresh and joyous is that in many key ways it’s not new at all. Like Dazed & Confused or The Breakfast Club, this is a film about just how weird the extraordinarily normal kids are — kids like you. The teen…
The first time we cry, as newborns, might be the purest emotion we ever feel. We sob — a raw mess of tears and terror — and a big human rushes to give comfort. Mentally, the connection is made: Our feelings trigger a response, be it hugs or milk or…
One of the funniest things in Live From New York!, the latest repackaging of Saturday Night Live history, is said by Amy Poehler, in a recent interview, describing the institution that made her a star: “SNL — the show your parents used to have sex to that now you watch…
Maybe we contain multitudes, and maybe we contain a couple great splashes of primary color. With one arm stretched high above his head, puppeteer Caroll Spinney has spent the last decades embodying the warmest of yellows and grimiest of greens, playing — in every sense of the word — Sesame…
Part of what makes writer-director Rick Famuyiwa’s Dope so fresh and joyous is that in many key ways it’s not new at all. Here’s a dramatic teen comedy, flavor-crystaled with sex and drugs and innocent raunch, about good friends who get caught up in bad business on their way to…
No one recognized Rick Famuyiwa when he strolled up to the Ladera Park basketball courts on a bright weekday afternoon. In January, the lanky, 41-year-old director’s new comedy, Dope — a crowd-pleasing high school flick about nerds who dress like Kid ‘N Play, dream of going to Harvard and bash…
Prison life is reliably repetitive, but conditions can be frighteningly unstable, too. Netflix’s Orange Is the New Black, which returns for its third season on June 12, reflects that paradoxical state of affairs by delivering more of the same — heartfelt but complicated relationships, inspired capers, compelling personalities, stomach-twisting flips…
In Jurassic World, Colin Trevorrow’s Jurassic Park reboot — set 22 years after dinosaurs started walking the Earth, again — brontosauruses, stegosauruses, and velociraptors have become old hat, sort of like the mechanical Abe Lincoln at Disneyland. Meanwhile, the habitat around them has gone Vegas: Isla Nublar, home of the…
A romance about wanting to see a romance, a comic tragedy about an onlooker willing something tragic, Anne Fontaine’s Flaubert-inspired meta-pleasure Gemma Bovery takes as its subject the act of watching the lives around us — and of wishing those lives were literature. Or films: Here’s a French film thick…
iZombie is about as sunny and optimistic as the zombie genre gets, which of course isn’t all that much. Even by supernatural standards, it’s a bloodthirsty canon, demanding regular sacrifices of innocents and grisly feats of skull splitting and cerebellum cannibalizing. The CW’s Seattle neo-noir boasts plenty of both to…
On this week’s Voice Film Club podcast, the Village Voice’s Alan Scherstuhl and Stephanie Zacharek, along with Amy Nicholson of LA Weekly, praise the latest Melissa McCarthy comedy, Spy: “She plays a real woman who reacts like a real woman would,” Nicholson says of her character. “It’s a really funny…
What does the world sound like when you’re Brian Wilson? When you’ve made a record that sounds like cirrus clouds look — as Wilson did with the Beach Boys’ small modern miracle of harmony, the 1966 Pet Sounds — all bets are off when it comes to the way ordinary…
A movie about bringing down druglords that’s actually mostly about movies, Cédric Jimenez’s The Connection is stretched over driven-cop beats so familiar American audiences could probably follow it without subtitles. (It’s in French — add that to the title, and you get a sense of its police-film ambitions.) It’s a…
The first line in Entourage is a good indication of what the next 104 minutes will bring. Peering through binoculars while a speedboat carries him toward a yacht in the dazzling waters of Ibiza, Johnny Drama (Kevin Dillon), the big brother of megastar Vincent Chase (Adrian Grenier), glimpses the bikini-clad…
The Melissa McCarthy of Spy is different from the one who rose to prominence by crapping in a sink. Bridesmaids scored her an Oscar nomination, and for the ceremony McCarthy donned a glamorous rose gown with a diamond collar and belt. But in the years since, Hollywood continued to see…
“When someone’s off balance, that’s the best time to hit someone,” Jim Gaffigan says in Kevin Pollak’s breezy, chatty Misery Loves Comedy, a documentary that asks many comics big questions about the dispositions of comics — but doesn’t often enough put anyone off balance, the audience included. The film is…
When John Cusack was launching his career in the Eighties, Brian Wilson had gone from rock star to living lore — a brilliant Bigfoot. “People would have Brian Wilson encounters,” says Cusack, who plays Wilson in the new biopic Love & Mercy. “In L.A., people would say, ‘Oh, I was…
