Kurt Cobain Is Honored in the Stunning Montage of Heck

A post-Wikipedia biographical documentary, Kurt Cobain: Montage of Heck finds Brett Morgen constructing a feature-length collage of notebook entries, demo tapes, rehearsal footage, home movies, archival photos, and drawings and artwork by the late Nirvana frontman. It’s an impressive, comprehensive assemblage, designed to impart not a point-by-point historical account but,…

Dior and I Shows How a Great House Kept From Falling

It’s nearly impossible to persuade the average American citizen, especially if he’s a straight man, that haute couture has a reason to exist. The phrase isn’t just a catchall for “really expensive clothes,” as it’s commonly misunderstood, but a specific term for clothes made entirely by hand, for a specific…

Adult Beginners Crams Kroll Into a Played-Out Arc

I dread explaining man-child dramedies to the ghosts of the dead. “You see, Grandpa, after your time, a generation paralyzed by the economy and indecision stopped growing up — and started churning out indie movies justifying why not.” In the Forties, men fought wars at 18. In 1967, Benjamin Braddock…

Little Boy Shows How Far Films of Faith Have Fallen

Did you know there’s a new family-audience feature film that implies God nuked Japan because one plucky American moppet dared to dream? That’s no exaggeration. In the summer of 1945, the kid stands on a California dock, points his fingers magician-style at the Pacific horizon, and screams a series of…

Ex Machina Wonders if Robots Can Be Human

Ex Machina is an egghead thriller with a scary selling point: Unlike Liam Neeson shooting up half of Boston, this actually could be taking place right now. It’s a smart film about the shrinking divide between man and robot. It’s also a hoot, an anti-comedy where all of the jokes…

FX’s Hillbilly Noir Justified Was the Forgotten Prestige TV Show

No show wears its love for language and land more proudly than FX’s Justified, which ended its six-year run this week. Based on a novella by Elmore Leonard and starring squinty-eyed sex symbol Timothy Olyphant, the hillbilly noir never received the critical adulation or the audience one might expect for…

In 5 to 7, a Prim Writer Comes of Age, Paris-Style

Victor Levin’s 5 to 7 is a romantic drama about a young writer in Manhattan that could be a superhero flick if its leading man wore tights. It’s as much a triumph of boyish wish fulfillment as Peter Parker swinging on skyscrapers. Brian (Anton Yelchin) is one of those suffering…

True-ish Desert Dancer Pits Young Artists Against Iran

There’s not quite as much desert and dancing as you might expect in Desert Dancer, an earnest and occasionally hokey drama about kids wanting to hoof it in a world that forbids all hoofin’. Since it’s a based-on-a-true-story job, and since the killjoys this time are the Iranian government, much…

In Hausner’s Amour Fou, the End Is Refreshingly Pragmatic

Austrian writer-director Jessica Hausner has an unerring talent for examining, skeptically but never cynically, grand notions about destiny: What we perceive as — or have convinced ourselves to be — the workings of fate, whether religious or romantic, is ultimately better understood as arbitrary or coincidental occurrences. In Lourdes (2009),…

Disney’s Monkey Kingdom Is Wonderful and Full of Lies

Truth in film takes another jolly beating in Disneynature’s Monkey Kingdom, a documentary-like nature flick with the last-century chutzpah to pass off its marvelous footage of some months in the life of a single-mom macaque as a full-fledged princess story, with three acts, a tearful exile, and her ascent, in…

Game of Thrones Season 5 Preview: Women Warriors Take Over Westeros

It may be hard to remember now, but there once was a time when Daenerys was the most exciting character on Game of Thrones. Played by Emilia Clarke, the exiled royal best embodied the HBO drama’s paradoxical appeal: its mix of historical authenticity and rousing fantasy. Reduced to currency by…