Best Thing in Taken 3: The Way Liam Neeson Says ‘Bagels’

All you need to know about Taken 3 is that Liam Neeson survives an explosive car crash — twice. Director Olivier Megaton even rewinds the second blast to show us how his hero escaped. It still doesn’t make sense. But who cares. The Taken franchise is rooted in implausibilities, specifically…

Girls, Season 4: Lena Dunham Doesn’t Let Hannah & Co. Grow Up

Among many other things, Girls has always been great satire, lampooning with scolding empathy the callowness, narcissism, and insufferableness of early-to-mid twentysomethings who are privileged enough to spend their post-grad years making mistake after mistake with no serious consequences. But the HBO dramedy’s fourth season, in which Hannah (Lena Dunham)…

The Ten Best Films of 2014

“If everything were great, nothing would be great.” That line, from Scott Coffey’s smart and sweetly entertaining Adult World, is one of my favorite bits of movie dialogue from 2014, not least because it’s applicable to every movie genre — actually, every genre of everything. But in the movie world…

Into the Woods Sometimes Soars but Also Dithers

Before worrying ourselves over its qualities as an adaptation or its findings as an experiment in just how much tumpety-tump parump-pa-bump the human mind can endure, let’s take a moment to marvel that Rob Marshall’s Into the Woods even exists — as a PG from Disney, no less! No matter…

Unbroken Is More About Punishment Than Heroism

There’s something curiously airless about director Angelina Jolie’s Unbroken, the story of real-life Olympian and WWII P.O.W. Louis Zamperini. Early on, Louis (Jack O’Connell) and his fellow American soldiers are zipping through the golden skies, dogfighting with Japanese planes, and, though the B-24’s doors are open and the wind is…

The Gambler Is a Dressed-Up Genre Picture — and a Good One

In Rupert Wyatt’s highball-cool reworking of Karel Reisz’s 1974 The Gambler, Mark Wahlberg does not play a cop, does not shoot bad guys with a gun, and does not spend considerable time shirtless (though we do see him sulking in a bathtub, and there’s a fleeting wet T-shirt moment, too)…

Tim Burton’s Big Eyes Is About an Artist as Middlebrow as He Is

The waifs Walter Keane made famous were known for their huge peepers. But look down at their mouths: Every one kept its lips pressed tight, as though to prevent a secret from escaping. That’s where you see the real artist: Walter’s shy wife Margaret (Amy Adams), who bitterly allowed her…

Cumberbatch’s Code-Breaker Gets Lost in The Imitation Game‘s Plot

“Politics really isn’t my specialty,” Alan Turing (Benedict Cumberbatch) shrugs to a naval commander (Charles Dance) in an early job interview scene in Morten Tyldum’s choppy biopic The Imitation Game. Yet no less than Winston Churchill would credit Turing as the main cause of the Allies’ victory over the Nazis…

Witherspoon Hoboes Through the Winning Wild

For reasons that are perhaps understandable, stories about women finding themselves — or their voices or their inner courage or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…

Du Pont Wrestling Drama Foxcatcher Engages but Doesn’t Pin

The du Pont family made its fortune selling gunpowder during the War of 1812, and soldiered on to invent everything ever worn by a cop: Kevlar, nylon, polyester, synthetic rubber. If you’ve cooked on Teflon pans, that money’s theirs, too. That means you’ve supported American patriotism, or at least heir…

The Ten Best TV Shows of 2014

TV continued to unmoor from its origins and transform into something else this year. No longer tethered to a specific appliance, a particular kind of storytelling, or even commercial concerns, “television” now feels like an increasingly obsolete word. But that’s a discussion for another time, for we’ve come to celebrate…

The Colbert Report‘s Greatness Arrived With Its Very First Episode

The funniest and most incisive show on television is ending this week — so let’s look back at how it began. On October 17, 2005, a power-suited Stephen Colbert furrowed his eyebrows and showed off highlights of his new set. Red letters above him shouted, “The Colbert Report.” The title…

Bale and Exodus Tremble Before a Murdering God

Flip open your Bibles to Numbers 12:3 to find the first inaccuracy in Ridley Scott’s Exodus: Gods and Kings. “Now the man Moses was very meek, above all the men which were upon the face of the earth,” sayeth the Good Book of our hero, played by Christian Bale, an…

Gape at the Wonders of the Sublime Antarctica

The heavens dance. From the bottom of the world, where your eyes might freeze in your face, we see stars pulse against seams of luminous dust, all in slow and dizzying rotation. Then come the lights: Ribbons of green unspool and shimmer and whip across the sky, suggesting angels and…

Netflix’s Marco Polo Is Everything That’s Wrong With Game of Thrones

Despite its sumptuous displays of feudal opulence — cavalries, silk gowns, all the naked female extras money can buy — Netflix’s Marco Polo feels distinctly like scraps. Turgid, fatuous, and humorless, the streaming site’s newest series is a grave miscalculation of what has made Game of Thrones, its obvious model,…

Life Partners‘ Pals Make Up and Break Up Without the Hookup

Susanna Fogel’s Life Partners starts with a vehicular meet-cute: Paige (Gillian Jacobs) cuts off Sasha (Leighton Meester), causing the aggrieved receptionist/wannabe rock star to scream, “Watch where you’re going, bitch!” Both girls park at a gay-pride rally, storm out of their cars, and hug. It’s a fake fight — the…