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Film, TV & Streaming

Showing 111 - 132 of 4045
Martin Amis’ <i>London Fields</i> Is Now a Movie Crafted to Make You Hate Martin Amis’ <i>London Fields</i>

Martin Amis’ London Fields Is Now a Movie Crafted to Make You Hate Martin Amis’ London Fields

By Alan ScherstuhlOctober 24, 2018

Finally onscreen after years of legal disputes, Mathew Cullen’s calamitous film adaptation plays like my friend’s hazy recollection of the book, an incomprehensible jumble of misogynistic claptrap

Peter Bogdanovich’s <i>The Great Buster</i> Sits Back and Gapes at a Legend

Peter Bogdanovich’s The Great Buster Sits Back and Gapes at a Legend

By Alan ScherstuhlOctober 23, 2018

The Great Buster at heart is an opportunity to hang with Bogdanovich as he screens favorite sequences from ol’ stone face’s 1920s two- and five-reel masterpieces

The Teen Witch Meets Satan in Netflix’s Bloody Good <i>Chilling Adventures of Sabrina</i>

The Teen Witch Meets Satan in Netflix’s Bloody Good Chilling Adventures of Sabrina

By Alan ScherstuhlOctober 23, 2018

… This new Sabrina dives headlong into the dark, weird truths that smart kids — and alarmed evangelicals — always assumed ruled the life of America’s favorite teenage witch, her sorcerous aunts and her black-cat familiar

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By This Point, <i>Johnny English</i> Movies Pretty Much Are Bond Films

By This Point, Johnny English Movies Pretty Much Are Bond Films

By Serena DonadoniOctober 22, 2018

Called back into active duty after a cyberattack reveals the identities of all current MI7 agents, the decidedly out-of-date English uses his old-school knowledge to track down Volta and unplug him from the world’s power grid

Jonah Hill’s <i>Mid90s</i> Takes an Honest Plunge Into the Millennial Past

Jonah Hill’s Mid90s Takes an Honest Plunge Into the Millennial Past

By Kristen Yoonsoo KimOctober 22, 2018

The depictions of drug and alcohol use, sex (Stevie getting it on with an older girl) and violence (both self-inflicted and by others) are difficult to watch, as Hill brings a fly-on-the-wall candor to his depiction of youth and the film’s era

<i>Border</i> Lays Bare the Heart of a Troll — a Fantasy Troll, Not the Evil Kind

Border Lays Bare the Heart of a Troll — a Fantasy Troll, Not the Evil Kind

By Bilge EbiriOctober 19, 2018

All we know of our protagonist Tina (a very good Eva Melander) at first is that she is a quiet, somber Swedish customs guard working a border crossing and is also, as it happens, quite distinctive-looking

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Danish Thriller <i>The Guilty</i> Dazzles Without Ever Leaving a Call Center

Danish Thriller The Guilty Dazzles Without Ever Leaving a Call Center

By Bilge EbiriOctober 16, 2018

Pretty much the whole film consists of phone exchanges between Asger Holm (Jakob Cedergren), a police officer who has been temporarily demoted to working the phones, and others out in the field as he struggles to save a woman who is being abducted by her ex-husband

Jamie Lee Curtis Rules, but the New <i>Halloween</i> Works Against Her

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

By April WolfeOctober 15, 2018

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels

Thanksgiving-Ruining Comedy <i>The Oath</i> Makes America Funny Again

Thanksgiving-Ruining Comedy The Oath Makes America Funny Again

By Alan ScherstuhlOctober 15, 2018

That impulse — to continually stoke our fury with Twitter takes, cable news shouters and breaking news updates — gets lanced throughout The Oath, which writer-director-star Barinholtz has set in a now just as fevered as ours

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Netflix’s <i>The Dragon Prince</i> Is a Fantasy Knockout, but Its <i>Disenchantment</i> Is a Slog

Netflix’s The Dragon Prince Is a Fantasy Knockout, but Its Disenchantment Is a Slog

By Alan ScherstuhlOctober 12, 2018

Netflix has recently offered two modest stabs at this stabbing-est of genres, a pair of animated series, one of which bristles with promise

HBO’s <i>Camping</i> Makes Time With Jennifer Garner a Total Chore

HBO’s Camping Makes Time With Jennifer Garner a Total Chore

By Lara ZarumOctober 12, 2018

Adapted from a British series of the same name by Girls dream team Lena Dunham and Jenni Konner, Camping seems destined to spark yet another debate about patently “unlikable” female protagonists

Maggie Gyllenhaal Tests Viewers’ Capacity for Cringing in <i>The Kindergarten Teacher</i>

Maggie Gyllenhaal Tests Viewers’ Capacity for Cringing in The Kindergarten Teacher

By Alan ScherstuhlOctober 10, 2018

The teacher in question, played by an excellent Maggie Gyllenhaal, takes an insistent interest in the life and (apparent) art of 5-year-old student Jimmy (Parker Sevak), who occasionally goes into a shuffling trance and mumble-recites evocative verses of his own invention

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Keira Knightley’s <i>Colette</i> Storms Paris and All the Rules of Sexuality

Keira Knightley’s Colette Storms Paris and All the Rules of Sexuality

By Alan ScherstuhlOctober 9, 2018

As her marriage opens up, and Colette begins to take lovers of her own, Knightley summons up a moving sense of both relief and recklessness

<i>All About Nina</i> Says Little That’s New About Women in Comedy

All About Nina Says Little That’s New About Women in Comedy

By Kristen Yoonsoo KimOctober 9, 2018

Vives relies heavily on cliché cues, showing us the extent of Nina’s damage with scenes of her smoking cigarettes in the shower, puking backstage or making provocative sentiments about her abusive relationship: “keeps me from falling asleep during sex.”

Robert Redford Twinkles as <i>The Old Man & the Gun</i>’s Career Crook

Robert Redford Twinkles as The Old Man & the Gun’s Career Crook

By Alan ScherstuhlOctober 9, 2018

Each beat of this plays out with exquisite delicacy, as does the exchange where the crook lays out, with exacting detail, how he’d rob this diner if it were a bank — and then takes it all back, letting her think he was joking

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Paul Greengrass’ <i>22 July</i> Cheapens Real-Life Terrorist Trauma

Paul Greengrass’ 22 July Cheapens Real-Life Terrorist Trauma

By Simon AbramsOctober 8, 2018

Crafting his pseudo-realistic account of the crimes and trial of anti-Islamic murderer Anders Behring Breivik (Anders Danielsen Lie), writer-director Greengrass … examines the attacks through the pinhole lens of post-disaster trauma

Clever but Empty, <i>Bad Times</i> Throws Back to the Tarantinoid ’90s

Clever but Empty, Bad Times Throws Back to the Tarantinoid ’90s

By Alan ScherstuhlOctober 8, 2018

Bad Times is a much better time in its mysterious middle, which tingles with darkly comic possibility, than in its final 40 minutes, when Goddard’s cards are on the table

Damien Chazelle’s <i>First Man</i> Tracks the Small Steps Behind That Giant Leap

Damien Chazelle’s First Man Tracks the Small Steps Behind That Giant Leap

By Bilge EbiriOctober 8, 2018

A tense, terse drama that plunges us headlong and handheld into the high-risk world of the space race in the 1960s, the film spares few moments for reflection or reverie

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Like Its Alien Goo, <i>Venom</i> Is at War With Itself

Like Its Alien Goo, Venom Is at War With Itself

By Bilge EbiriOctober 5, 2018

This alien being, which helpfully calls itself Venom, is a fairly terrifying creation: a many-fanged, slobbery, snake-tongued monster that loves to eat people’s heads

Bad-Cop Drama <i>Monsters and Men</i> Channels Helplessness in a Time of Outrage

Bad-Cop Drama Monsters and Men Channels Helplessness in a Time of Outrage

By April WolfeOctober 4, 2018

At times, Green’s film feels too familiar, exploring what we already know — cops can be dirty and may retaliate if they’re crossed

Tamara Jenkins’ <i>Private Life</i> Is the Best Reason This Year to Keep Your Netflix

Tamara Jenkins’ Private Life Is the Best Reason This Year to Keep Your Netflix

By Alan ScherstuhlOctober 3, 2018

Its leads, feminist writer Rachel (Kathryn Hahn) and Richard (Paul Giamatti), a one-time wunderkind of no-budget theatrical productions, find themselves desperate to conceive a child even as the doctors they pay (with borrowed money) thousands to speak frankly of the odds

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<i>Better Call Saul</i> Is TV’s Great Drama About American Work

Better Call Saul Is TV’s Great Drama About American Work

By Lara ZarumOctober 3, 2018

Who’d have thought a show about the origins of a shyster/lawyer with a fake name whose clients are murderous drug dealers would turn out to be TV’s most satisfying depiction of an honest day’s work?

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