Has it ever occurred to contemporary commercial filmmakers that maybe audiences could take a movie’s word for it that a character has been tortured? That perhaps implication and skilled acting could communicate the idea with sufficient power so that we might all be spared the screaming and limb-breaking and slow-motion…
In 2009, after Chicago historian John Maloof published remarkable photos he’d bought at a storage facility’s auction, mythology quickly developed about Vivian Maier, the unknown photographer. An extremely private woman who’d worked as a nanny for decades, Maier was eventually proven to be a considerable talent. In Finding Vivian Maier,…
Since 2002, the year Sam Raimi’s Spider-Man hit theaters, the other Spider-Man, the hero of the actual comic books, has joined the Avengers, revealed his secret identity to the world, and become a highly paid inventor who has engineered, among other marvels, a limitless energy source science has dubbed “Parker…
Sometimes it’s helpful to know certain details about how a film has come together. And sometimes it’s just so much information. Transcendence, the directorial debut of Christopher Nolan’s go-to cinematographer, Wally Pfister, was shot on film rather than digitally, as most big Hollywood movies (and nearly all small ones) are…
We’ve been told to never judge a book by its cover, but we always secretly judge a movie by its teaser image. In last month’s Miami International Film Festival program, one image stood out — a man in a royal-blue suit. It was Jude Law like we’ve never seen him…
The promise of seeing Scarlett Johansson fully nude is probably enough to lure lots of people into Jonathan Glazer’s alien-among-us fantasy Under the Skin, and the vision doesn’t disappoint: Her figure, seen in long shot, is a grand and glowing thing; she has one of those butts shaped, adorably, like…
A grave has been freshly dug in the opening shot of director Gareth Evans’ ultraviolent Indonesian flick The Raid 2. It’s a start, but Evans is going to need 400 more. In the first few minutes, Evans dispenses with three-quarters of the survivors of 2012’s The Raid: Redemption, the writer/director’s…
Tucked into a pocket of his workout sweats, Steve Rogers — AKA Captain America, the serum-enhanced Yankee Doodle Dynamo who’s spent the past six decades in deep freeze — keeps a notebook of cultural beats he’s missed: Star Wars, Marvin Gaye, Thai food. (“We used to boil everything,” he mock-groans.)…
Our story resumes: Having found a love-like feeling for Jerôme (Shia LaBeouf), “restful domestic comfort” has, at the outset of Lars von Trier’s Nymphomaniac: Volume II, robbed the young Joe (Stacy Martin) of her orgasm. Naomi Wolf documented a similar problem in her 2012 book Vagina; the similarities between Joe…
Drake Doremus’ Breathe In is a star-crossed romance where your enjoyment level will depend upon your tolerance for what feels an awful lot like potential statutory rape. A toothsome exchange student named Sophie (Felicity Jones) comes to stay with a well-to-do family in upstate New York, triggering a barely dormant…
Why can’t women stay friends? That’s a trick question, of course, but also one that British actresses Emily Mortimer and Dolly Wells — lifelong pals in real life — attempt to answer earnestly and honestly in their new HBO cringe comedy Doll & Em. In the six-episode series, Mortimer and…
The Chicano labor leader César Chávez can now join Mahatma Gandhi and Nelson Mandela in the pantheon of heroes whose world-altering achievements are dutifully recounted in timid, lifeless films any substitute can pop into the school DVD player when the regular history teacher is out sick. With César Chávez, Mexican…
“The way to a man’s heart is through his stomach” runs the cliché and the rather uninspired starting point for The Lunchbox, a slow-building, pleasingly low-key romantic dramedy set in Mumbai. Making his feature-length debut as writer and director, Ritesh Batra throws some emotional and logistical complications at the premise…
Arnold Schwarzenegger’s name is only about one-seventh the font size of the title on the poster of Sabotage, formerly Breacher, formerly Ten, his third attempt — after the full-auto western The Last Stand and the goofy Stallone-co-headlined prison-break joint Escape Plan — in 14 months at a post-gubernatorial comeback. A…
To hear Darren Aronofsky tell it, in the interviews he’s given recently to the New York Times Magazine and the New Yorker, there was no way in hell he’d let his special-effects extravaganza Noah, years in the planning, be your run-of-the-mill, candy-ass Biblical epic. The ark built by Russell Crowe’s…
Wes Anderson’s latest cinematic confection, The Grand Budapest Hotel, features distinguished English actor Ralph Fiennes in the film’s leading role. It marks the first time Fiennes has appeared in one of Anderson’s films. Speaking over the phone from his London home, Fiennes revealed a great admiration for Anderson’s work. “I love…
Leave it to Wes Anderson to make a film about World War II without mentioning Germany. In The Grand Budapest Hotel, a wundercabinet set in the fictitious Eastern European Republic of Zubrowka circa 1932, Anderson captures the collapse of a kingdom and rise of a reich without so much as…
Let’s start with the ending, the closing credits disclaimer that insists that none of the lead actors in Lars von Trier’s two-part erotic epic Nymphomaniac filmed penetrative sex. If there is real sex in the movie, and it sure looks like there is, it must have been the duty of…
If you count forward from Jim Henson’s mid-1960s TV appearances with a fringy pup named Rowlf and the lizard, made from an old winter coat, who would later become Kermit the Frog, the Muppets have outlived most of their early puppet peers by more than two generations: You don’t see…
Dystopian movies don’t have to make sense. As the audience, we’re obligated to sit down with our popcorn and soda and pretend that yes, of course, in the future monkeys rule the earth, women can’t bear children, and Arnold Schwarzenegger is an everyday construction worker. It’s a mutual contract of…
Think adapting War and Peace is difficult? Try adapting the racecar videogame Need for Speed. Tolstoy’s 1,225-page behemoth has nothing on the Electronic Arts franchise’s irreconcilably complicated 20-year, 20-installment history: Sometimes cars are subject to physics; sometimes they aren’t. Sometimes they’re invulnerable; sometimes they break. Maybe you’re in London; maybe…
According to lore, Liberace used to greet the tourists who’d come by bus to gawk at his bejeweled home with the line, “I hope you like it. After all, you paid for it!” Not everyone has to like Rob Thomas’ Veronica Mars, the feature-length incarnation of his much-loved television series,…
