John Berger quipped, “Men look at women. Women watch themselves being looked at,” an observation recalled by this anachronistic picture of Fernando Trueba’s, which offers as generic a portrait of its central relationship as its title suggests. In WWII France, elderly artist Marc Cros (Jean Rochefort) has seen his well…
Intricate, intelligent thrillers made specifically for grownups are so rare these days that it’s tempting to award extra points to anyone who even scales an attempt. Tomas Alfredson’s 2011 John le Carré adaptation, Tinker Tailor Soldier Spy, may have been the last great example of an adult thriller that refused…
Your life surges ahead as it is, pretty much, but maybe tinted blue. Maybe everything around you is tilted a bit, and strips of light glow on the wall, like an SUV with its brights on is idling on a ramp facing your window blinds. Your world looks not like…
Opens Friday at Movies of Lake Worth, 7380 Lake Worth Road, Lake Worth; 561-968-4545; moviesofdelray.com.With all the momentum of dripping molasses, Savannah recounts the true-life story of Ward Allen (Jim Caviezel), a larger-than-life outdoorsman too big to be boxed in by early 20th-century societal boundaries. Rejecting his privileged plantation heritage…
Plenty of film critics and Asian-cinema aficionados care deeply that The Grandmaster, Wong Kar-wai’s pointillist biopic of martial arts master Ip Man and the director’s first picture in six years, will be released in the States only in a 108-minute version. The cut released in China earlier this year was…
As another summer movie season characterized by cynicism and excess draws to a close, there are few activities less valuable or interesting than complaining about it. The blockbusters arrived, flattened cities, vomited effects, deafened with explosions, made money, didn’t make enough money, pleased populist critics, displeased elitist critics, and finally…
After Jimmy Savile, Amanda Bynes, Lindsay Lohan, and that Christian puppeteer who wanted to kidnap, kill, and eat little boys, it’s hard not to imagine the children’s entertainment industry as a fount of unimaginable filth and degeneracy. But for those who’d prefer to remember their childhoods happily, Mathew Klickstein offers…
The laddish pleasures of The World’s End, Edgar Wright’s comedy about a group of middle-aged guys drinking beer and facing mortality, come with a bittersweet edge. In the old days, the lead character, Gary King, used to be the coolest kid in school, at least in the outlaw sense: He’d…
On September 17, 2011, 1,000 protesters set up tents in Manhattan’s financial district and dubbed themselves Occupy Wall Street. Four days later, Lionsgate purchased You’re Next — a home-invasion slasher that slices up a family of 1 percenters — and should have released it immediately. Instead, the studio sat on…
Pouncing on the chance to cover the 1961 trial of Adolf Eichmann, resulting in her controversial pronouncement about the disparity between “the mediocrity of the man” and “the horror of the deeds,” the writer-philosopher Hannah Arendt is brought to life by a mesmerizing Barbara Sukowa in Margarethe von Trotta’s film…
Besides its dozen or so big laughs and its winning streak of middle-upper-crust romantic jadedness, Dan Mazer’s I Give It a Year has going for it a trait you might have thought had been bred out of audience-pleasing romantic comedies by now: suspense about with whom its leads will find…
Despite the giddy, gory ridiculousness of Kick-Ass 2, this summer’s most violent yet least punishing comic-book movie, there’s a kernel of ugly human truth at the core of the Kick-Ass fantasy. In the first issue of Mark Millar and John Romita Jr.’s Kick-Ass comic, from 2008, a lonely high school…
More terrifying than any horror film and more intellectually adventurous than just about any 2013 release so far, The Act of Killing is a major achievement, a work about genocide that rightly earns its place alongside Shoah as a supreme testament to the cinema’s capacity for inquiry, confrontation, and remembrance…
At the movies, straightforward storytelling, the kind in which a director and his cast push a story forward in waves of action and feeling, has become so out of fashion it’s almost avant-garde. Moviegoers, it seems, need to be cool: not too moved, not too surprised, not too impressed. We…
Delicacy of touch isn’t a particularly valued commodity among American filmmakers. We like pioneer swagger in our directors; particularly in the age of the blockbuster, open-ended questions and eyelash-fringe feelings are suspect. That’s why it’s always been hard to know how to categorize Sofia Coppola, one of our most gifted…
For anyone who’s been going to the movies at all regularly over the past 45 years, Woody Allen is practically family. His movies may draw fewer passionate responses than they did in the ’70s and ’80s, but we still feel compelled to reckon with him. Whenever Allen comes out with…
If there’s one nuance mainstream comedies have yet to learn, it’s that “empathetic” need not mean “likable” — audiences can feel for characters they don’t necessarily want to be. The hit black comedy Horrible Bosses, which had three angry underlings plotting murderous vengeance against their you-know-whats, should have been a…
Linda Lovelace spent more time typing than taking off her clothes. In her one year in the porn business, she shot a single feature and a handful of shorts. In the 14 years after, she wrote four autobiographies. Only Monica Lewinsky spun such notoriety from a couple of quick BJs…
How would those Bronze Age storytellers who shaped and handed down the myths of Ancient Greece fare in a modern screenwriting seminar? All that elusive, improvisatory strangeness, that alien sense of causality, that emphasis on origins, not just of franchisable characters but of everything in the natural world, right down…
You can guess the plot of Disney’s Planes — it’s just Cars 2 with wings, an international romp that pits a humble country bumpkin against a fleet of literally jet-setting competitors in a race around the world. With pit stops in four continents, more cultural stereotypes than the Eurovision song…
Movie stars shouldn’t be subject to the rules of gravity, as we mere mortals are. One of the great pleasures of watching actors is to see them move, and when yesterday’s youngsters start creaking, we feel it in our joints. That’s not to say actors can’t age gracefully, or that…
Here’s something you would think we could all agree on: Rigid parts of the body probably shouldn’t go slack. But try asking a SeaWorld spokesperson about the drooping dorsal fins on so many of the park chain’s performing male orca, about that mighty spike that in the wild juts above…
