Cannes: The Coen Brothers’ Inside Llewyn Davis

I. First, Something About the Badges (Then We’ll Get to the Coens) Someday I’m going to write a song and call it “Ballad of the Blue Badge.” I haven’t figured out a rhyme scheme yet, let alone a melody, so please allow this outline to suffice: At Cannes, the color…

Fast & Furious 6 Is Sublime Dumb Play

There’s one key truth that separates the tank-topped gearheads of the Fast & Furious movies from the rest of us. Every problem these lugnuts face can be solved by doing the one thing these lugnuts love most: driving really fast. It’s like if you could deal with your taxes by…

Fast & Furious & Elegant: Justin Lin and the Vulgar Auteurs

Justin Lin may strike some as out of place in the pantheon of contemporary auteurs. The Taiwanese-born American filmmaker, best known for having directed Fast Five and its sequel, Fast & Furious 6, makes unabashedly populist blockbusters for mainstream audiences—hardly the purview of a “serious” artist. His films, wafer thin…

Star Trek Into Darkness Is Grand, Familiar

“Who are you?” pleads a doomed man as Benedict Cumberbatch looms into his first close-up in Star Trek Into Darkness. The answer is Khan. And that’s not a spoiler — it’s a selling point. A less secretive director (i.e., all save the ghost of Stanley Kubrick) would trumpet that his…

The Iceman Follows Mob Sociopath

Until his arrest in 1986, most people believed Richard Kuklinski to be an all-American family man. In reality, this suburban New Jersey “banker” made his fortune working as a hit man for the Mafia, killing more than 100 people and often freezing and dismembering their bodies to obscure the time…

Peeples Delivers Farce Without Compromising Realism

Recently, African-American-directed relationship movies have hewed toward either incongruous absurdity (Think Like a Man), overt sentimentality (Jumping the Broom), or, in Tyler Perry’s work, both. Long gone feel the days of complex films like Two Can Play That Game, Mark Brown’s modern screwball comedy that provided hilarity alongside a clear-eyed…

At Any Price Finds Dennis Quaid, Zac Efron Down on the Farm

Writer-director Ramin Bahrani’s At Any Price finds tension between rapacious capitalism and the idealized fiction of rural life in farming communities, especially as they engage in decidedly unpastoral, commodity-based feeding frenzies. Here it’s not bad weather or greedy banks that places a large, third-generation family farm in jeopardy but the…

Great Gatsby With DiCaprio and Maguire: Great but Not Always Good

There’s a scene in Baz Luhrmann’s The Great Gatsby in which Leonardo DiCaprio’s hyperrich, superawkward Jay Gatsby takes it upon himself to redecorate the bachelor pad of his less-prosperous friend, Nick Carraway (Tobey Maguire). Gatsby’s old flame, Daisy Buchanan (Carey Mulligan), is coming to Nick’s house for tea. Eager to…

Kon-Tiki Is a Grand Story, Told Again

Would you sign on for three months in shark-infested waters on a tippy raft under a captain who can’t swim? The shrewdest joke in Kon-Tiki’s surefire story — about Thor Heyerdahl’s 4,000-mile South Pacific expedition to prove that ocean-faring Incans could have settled Tahiti — is that practically every character…

Strange Narrative Pivot Derails The Angels’ Share

Over the course of its first 60 minutes, Ken Loach’s The Angels’ Share proves a testament to its director’s enduring reputation as a master of British cinema and the social realist form, articulating the frustrations of Glasgow’s working class with clarity and sophistication. Robbie (nonactor Paul Brannigan) is a brash…