Paris-Manhattan: A Charmless French Ode to Woody Allen

Unless you watch Nancy Meyers’ romantic-comedy oeuvre strictly for the interior design and décor, there’s little to note about Sophie Lellouche’s shallow, witless, but pretty-enough French ode to Woody Allen, couched in a loose revision of 1972’s Play It Again, Sam. A model-thin blond beauty with perfect cheekbones, Alice Taglioni…

Terrence Malick’s To the Wonder is Gorgeous, Ridiculous

To the Wonder, Terrence Malick’s second movie in two years, is ridiculous, pretentious as hell, and in places laugh-out-loud funny. “Newborn. I open my eyes. I melt. Into the eternal night…” With dialogue like that, in voiceover and in French, who needs satire? But for all the absurdity, there’s also…

Mud Movie Review: McConaughey Is Great Again

Has anyone ever been so perfectly cast as Matthew McConaughey in Dazed and Confused? Sculpted entirely of charisma and cheekbones yet still seedier than a stash of gym-locker pot, McConaughey’s radiant stoner exemplified high school promise gone bad. he looked like the little man of top of trophies, just horny,…

No Place on Earth Movie Review

Part The Diary of Anne Frank, part The Swiss Family Robinson, and part The Shawshank Redemption, No Place on Earth, about a Ukrainian Jewish family in WWII who hides from the Nazis by living in caves, has all the elements of a great story: an epic quest (survival), formidable obstacles…

Love Sick Love Movie Review

When a film mashes up two seemingly unlike genres, we’re too quick to praise the hybridization as a “fresh twist” or subversion of formula, even if those disparate elements aren’t engaging each other thematically or aesthetically. (For instance, has anyone married zombie horror with comedy as flavorfully as Shaun of…

Tom Cruise Can Still Be Great — Why Aren’t His Movies?

Though he’s long been among the most recognizable celebrities in the world, Tom Cruise has always seemed vaguely irritating, like the popular kid at school everybody secretly dislikes. His is an odd sort of fame: globally recognized but rarely acclaimed, he remains more reliably bankable than nearly any other actor…

Watching The Client List With a Real Sex Worker

In The Client List, Lifetime’s pseudo-steamy take on the world of sensual massage, Jennifer Love Hewitt plays a struggling housewife who takes a rub-down side job in order to support her kids after her husband disappears. The show, which jumps from scenes of Hewitt pleasuring executives to her dancing with…

The Devil’s Auteur: Rob Zombie Faces His Fans — and His Art

After working a packed auditorium into a frenzy at last September’s premiere of Lords of Salem at the Toronto International Film Festival, Rob Zombie anxiously took his seat and watched his audience watch his film, his first independently financed feature. It’s also the first film he’s made following a messy…

The Lords of Salem Is Never Suspenseful or Scary

After two Halloween remakes, rock star turned filmmaker Rob Zombie has penned a somber, surprisingly tame tale of witchcraft and possession that may trigger unintended giggles among even his most devoted admirers. Sheri Moon Zombie, the director’s wife, stars as Heidi Hawthorne, a Salem, Massachusetts radio DJ who begins hearing…

Scary Movie V Will Murder Your Capacity to Feel Joy

Picking up seven years after the previous installment, Scary Movie V features no original cast members, no Wayans brothers producing (they bailed after No. 3), and a new director (first-timer Malcolm D. Lee). It’s still terrible. For an alleged comedy, it’s remarkably laugh-free; as insta-parody, it already feels dated (Inception…

Sundance Channel’s Rectify Takes a Mighty Swing at Greatness

At any prior point in TV history, Rectify, a six-part drama on the Sundance channel, would be a shake-up-the-medium astonishment: A sober, even stately investigation into a curious kind of afterlife, that of a death-row inmate given freedom twenty years after his conviction. For all the finely crafted mysteries of…

42 Almost Makes a Flesh-and-Blood Man of Its Hero

A likable hagiography as nuanced as a plaque at the Cooperstown Hall of Fame, Brian Helgeland’s Jackie Robinson bio 42 finds a politic solution to the challenge Quentin Tarantino faced last year with Django Unchained: How to craft a crowd-pleasing multiplex period piece whose villain is, essentially, “all white people”?…

The Sapphires Has Its Easy, Soulful Pleasures

This fact-based, girl-group empowerment story never quite soars but has its easy pleasures, and it’s likely to become one of those movies everyone sees, maybe more than once. The wonderful Irish actor Chris O’Dowd stars as Dave Lovelace, a musician living out of his car who stumbles upon a gifted…

Blancanieves Is Witty, Riveting, and Gorgeous

The latest from Spanish writer-director Pablo Berger is a silent, black-and-white film so witty, riveting, and drop-dead gorgeous that moviegoers might forget they can’t hear the dialogue. Berger has astutely chosen to wrap his experiment around a tale everyone knows: the perils of that sweet beauty, Snow White. Here, she…