By the Okeechobee Music & Art Festival's third and final full day, we were tired, yes. Our toes were crusted black, and our bulk supply of hummus and beer had reached alarming lows. But with a packed schedule featuring some of our most anticipated artists of this weekend, little could get in the way of this bright and breezy Sunday.
As festgoers streamed into the Grove for the day's main events, crop
Post Malone
I was still pumped to catch Post Malone's daytime set, even though I was only slightly bitter his rep had recently denied my request for an interview. I've had the 20-year-old Dallas native's hits "White Iverson" and "What's Up" on repeat through 2015, and though the young rap upstart has yet to put out a full-length release, the cred he's garnered working with a handful of hip-hop heavy hitters since breaking out on SoundCloud had me eager to see what he'd bring to the festival. Based on the crowd he drew at the Now stage during peak afternoon heat, it's clear Post Malone has a lot of fans like me. Unfortunately, as is often the case with inexperienced rap acts, Malone's 30-minute live set fell short. He opened up with his most recognizable and heavily remixed hit, "White Iverson," though it was immediately clear he was just lip-syncing over the original track, the recorded lyrics and music ducking out intermittently whenever he decided to actually rap some of his verses live. He did switch over to mostly live vocals after his shaky intro, rapping with some attempted enthusiasm to his tracks "Too Young" and "That's It," though his voice came off strained rather than smooth and melodic like on his recordings. Instead of getting the audience hyped, the shoddy production of Post Malone's quick set, especially after seeing countless flawlessly executed performances over the weekend, left us underwhelmed. — Falyn Freyman
Future
After Post Malone's lackluster set, I was counting on rap veteran and one of 2015's most prolific and critically lauded MCs to satisfy my urge to get lit. And though I was a bit nervous to see whether his Auto-Tune-heavy recording style would translate into a live setting — especially one where the sun was still out — Future more than delivered. "Someone just threw a long-ass blunt on the stage," DJ Esco told us before
Big Grams
Big Boi and Phantogram playing music together
Odesza
If this festival did anything right, it
Mumford & Sons