Aaron Eckhart plays Burke, a widowed self-help author leading a seminar in Seattle for those mourning the loss of loved ones. The healer isn’t fully healed himself, of course, necessitating emotional helpmeet Eloise, who takes Burke to a poetry slam (only the presence of PDAs reminded me that the film was not set in 1992), the graves of Bruce and Brandon Lee, and the woods of Washington to set a parrot free.
Burke’s hollow pop-psych speak, lightly ridiculed at first, is wholly embraced by the film’s end, if not as adamantly as the outrageous product placements for Qwest and Home Depot, the latter crucial to a seminar attendee’s recovery. Eckhart has even less chemistry with Aniston than he did with fellow narcissist Catherine Zeta-Jones in 2007’s No Reservations, going soft and gooey only when he and Martin Sheen, as Burke’s father-in-law, share a big cry.
