Still Mine a Pitch-Perfect, Deeply Affecting Film | New in Film | South Florida | Broward Palm Beach New Times | The Leading Independent News Source in Broward-Palm Beach, Florida

Film & TV

Still Mine a Pitch-Perfect, Deeply Affecting Film

Opens Friday at the Classic Gateway Theatre, 1820 E. Sunrise Blvd., Fort Lauderdale; 954-763-7994; Also at Living Room Theaters, FAU Main Campus, 777 Glades Road, Boca Raton; 561-549-2600; Also at Movies of Delray, 7421 W. Atlantic Ave., Delray Beach; 561-638-0020; And at Movies of Lake Worth, 7380 Lake Worth Road, Lake Worth; 561-968-4545;

All that Canadian farmer Craig Morrison (James Cromwell), 87, wants to do is build a little house, on his own land, without having to ask anyone's permission. In this pitch-perfect, deeply affecting film, writer/director Michael McGowan tells the true story of what happened when Craig's determination to build an easy-to-navigate house for his ailing wife, Irene (Geneviève Bujold), ran afoul of the local building commission. Craig is destined for a courtroom showdown, but McGowan isn't as interested in that as he is in offering us a glimpse of a surprisingly sensual long-term marriage. Craig and Irene have been together for 61 years, have raised seven children, and still look at each other like newlyweds. "Take off your clothes, old man," Irene commands. The Canadian-born Bujold was a movie star in the 1970s, and it's great to see her again, more beautiful than ever, but also more expressive than in her tightly wound youth. Cromwell, giving the performance of his life, doesn't try to soften Craig's harsh edges but instead makes it clear Craig knows that Irene makes him, every single day, a better man. Without her, he's nothing, and if a new house is what will keep her close, then building codes be damned.
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Chuck Wilson is a regular film contributor at Voice Media Group and its film partner, the Village Voice. VMG publications include LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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