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Bug Brilliantly Burrows Into a Heart of Conspiratorial Darkness
Wednesday, August 19, 2015 at 9:29 a.m. by John Thomason
The first example of intrusive sound in Bug opens when the play does: A telephone rings inside a squalid motel room in Oklahoma, but there’s nobody on the line. There’s never anybody on the line. Sometime later, a persistent cheep r...