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Related Stories (13)
Farhadi Remains a Master Dramatist, but The Salesman Fails Its Namesake
Tuesday, February 7, 2017 at 8 a.m. by Bilge Ebiri
Iranian director Asghar Farhadi's The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, c...
Manchester by the Sea May Be Kenneth Lonergan's Most Powerful Film Yet
Tuesday, November 29, 2016 at 9 a.m. by April Wolfe
Eventually, there will be so many films about a sullen or damaged man returning to his provincial town to face the demons of his past that Netflix will make a separate category for them. At their worst, these movies are navel-gazing...
Son of Saul Tracks One Cog in the Death Camps' Machine
Tuesday, January 26, 2016 at 8 a.m. by Scott Tobias
What are the limits of representation? That's a moral question that hovers over any depiction of the Final Solution, and it's not considered lightly by László Nemes' Son of Saul, which turns unimaginable horrors into tangible ones. ...
In 45 Years, Rampling and Courtenay Lead Us in Looking Back
Tuesday, January 26, 2016 at 8 a.m. by Melissa Anderson
"Every film is a documentary of its actors," Jean-Luc Godard once said. Starring Tom Courtenay and Charlotte Rampling, Andrew Haigh's shattering marital drama 45 Years expands that maxim: As we gaze at and listen to these performers...