New Times: What Are You Sacred Of? was released about a year ago, right?

Whakaio

Taahi: Yeah. It released in Australia last October, and in the States

it got released in February and it just got released on October 2 in

the UK, so there's been kind of a delay getting it out everywhere but

it's finally out there.

So how have people been responding to it?

WT:

Better than we'd hoped (laughs). It was one of those things where

before the album came out in the States we knew it would be difficult to

do a lot of touring because not too many people knew about us. And then

the album came out and we were able to do the Warped Tour and were able

to slowly grow our audience. It's been cool to play shows and have

people singing with you in the crowd and getting into us, especially in

some of the shows we've done in America. It's been really humbling. It's

been awesome and amazing.

What was the inspiration for "Let it Land?"

Jenna

McDougall: Ha! Well, I wrote a lot of the lyrics months and months

before that song even came together, and it kind of came from my habit

of staying up really late into the early hours of the morning because my

mind wouldn't shut down. That's the concept of the song -- holding on to

things and letting them trip you out and keep you up at night -- so when

we play it live we say that you can't hold onto everything forever.

How did you guys come up with "Starlight?" That's a killer song.

WT:

I guess we kind of love anthem-y songs from bands like Good Charlotte

and other bands we grew up listening to. We were kind of going for

something similar, especially with the chorus. And this actually was a

song we did acoustically when we were writing for this record, and it

came together really quickly.

JM: Yeah, it took less than a day, I

think. It's a song about enjoying little things and not being burdened

by financial situations. Just enjoying what you have and making the best

of it, which is kind of a theme that is common throughout a lot of the

album, just appreciating what you have.

So how were you able to get Mark Hoppus of Blink-182 to guest on "Thank You and Goodnight?"

WT:

In the studio we were deliberating about who we kind of wanted to add

to that song, because we definitely wanted to have someone on it. Our

producer, Mark, heard the conversation and thought of Mark Hoppus. So

when we were tracking drums he said, "What do you think about Mark

Hoppus joining in?" I think we just looked at him and, I don't know...

JM: We were like, "Is this a joke?" (everybody laughs) "Are you kidding?"

WT:

And then Mark Hoppus seemed to be really into it, so we went into his

studio in L.A. and it was amazing. It was absolutely surreal. He was the

nicest dude, and it was a great experience. We all listen to Blink-182,

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so to have him play on that song was like the ultimate fangirl moment

right there. (Jenna laughs.)