Lists

Eight South Florida Mosh Pit Memories from a Former Slam Dancing Enthusiast

Page 4 of 4

Walking on Heads in West Kendall

The late '90s and early 2000s was the golden age of new school mosh metal and, subsequently, the golden age of a breed of gang-oriented violence distinct in nihilistic intensity from Hardcore's already uber-tough machismo. For example, when Bad Luck Riot 13 (a band with a notorious reputation for encouraging extremely violent behavior) performed at Hellfest 2004, the proceedings quickly devolved into an actual full-scale riot.

A less extreme example of the scene's suburban sadism, circa a decade ago, is a surge in the hardcore "dance move," headwalking. The step is a playful twist on boring ol' stagediving wherein the Diver does not dive but instead runs full speed ahead into the audience, leaping from head to head like a jolly toad skipping down a lovely row of lily pads.

Dropkicked During the Dropkick Murphys

Until I found likeminded geeks on the Internet, my Dad used to drive me to all of the shows I attended in early high school. And on the way home, I regaled him with stories of the ridiculous, often dangerous choreographed combat I witnessed and partook in, all in the name of live music appreciation.

After seeing the Dropkick Murphys at Spankys, I told him all about accidentally stagediving into a skinhead that rained piston-like blows upward upon my soft, exposed midsection. His punches kept me afloat, as though I were hopping on a trampoline. My pops was silent. And then asked, with earnest befuddlement, "Why does there have to be so much physical contact?" Parents just don't understand.



KEEP NEW TIMES BROWARD-PALM BEACH FREE... Since we started New Times Broward-Palm Beach, it has been defined as the free, independent voice of South Florida, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Matt Preira