Concerts

GWAR Returns to Revolution in October; Here Are Five of the Band's Most Bizarre Recent Stage Tricks

GWAR, one of the longest-running collections of rock 'n' roll boogeymen around, returns to perform at Revolution on October 20. If it feels like the band has been parading around in its costumes with fake blood since before you can remember, that is likely true -- the band first got together in 1984.

To the credit of frontman Oderus Urungus and his cohorts, though, they update their legendary gross-out stage show for every tour. Some things are constant, of course, like the cannons and rifles full of fake blood, a food-coloring-like liquid that, curiously, dries purple and blue and stains everything. Fans who might have expensively colored hair, be aware.

This year marks a particularly ripe one for GWAR, seeing as it's an election year. On its stop through South Florida during the last presidential election, a jumbo-sized John McCain was made to wrestle a gigantic beetle, only to lose and have his intestines pulled out and splattered over the stage.

For bipartisan gross-out stuff, both Obama and Hillary Clinton also suffered similar fates (only they were forced to wrestle each other). There were demon babies and robots beaten into a pulp with their own metallic arms. It was all incredibly juvenile but, most of the time, embarrassingly hilarious.

So, we can't wait to see what GWAR might pull out in October. For hints, here are some of the most bizarre and grody stage moments from recent tours past.

KEEP NEW TIMES BROWARD-PALM BEACH FREE... Since we started New Times Broward-Palm Beach, it has been defined as the free, independent voice of South Florida, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Arielle Castillo
Contact: Arielle Castillo