Critic's Notebook

Kings of Leon

Caleb Followill and the other members of the Kings family once seemed content with updating '70s Southern rock for the new millennium — but no more. Only by the Night is a bid for mass popularity and critical acclaim of the sort typically associated with Chris Martin, not Tennessee-bred good...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Caleb Followill and the other members of the Kings family once seemed content with updating ’70s Southern rock for the new millennium — but no more. Only by the Night is a bid for mass popularity and critical acclaim of the sort typically associated with Chris Martin, not Tennessee-bred good ol’ boys. The song “Crawl” booms with effectively rendered Eurocentric arena ambitions, while “Be Somebody” somehow manages to make George-of-the-Jungle drums seem propulsive instead of dopey. Elsewhere, unfortunately, the Followills’ commercial quest leads them in too-obvious directions. “Revelry” dribbles their early influences with weird “oooh-ooohs,” and “Use Somebody” sounds as if it was composed to accompany an emotional Izzie storming down a hallway during a special episode of Grey’s Anatomy. Such is the price of fame.

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...