Audio By Carbonatix
The Smithereens
The Nectar Lounge, Seminole Coconut Creek, Coconut Creek
Friday, September 2, 2011
Better Than: Another night downtown drinking PBR and watching people stumble.
New Jersey’s gift to college radio and the mid-’80s sovereign curators of mod-influenced rock, the Smithereens played a free show at the Seminole Coconut Creek’s Nectar Lounge on Friday. The nostalgia was palpable as an unexpectedly large drove of mostly middle-aged fans put the modest Nectar Lounge over capacity, where they patiently awaited the first down beat, which was in keeping with South Florida’s strict code of tardiness, coming in around 40 minutes late.
DiNizio and company certainly made up for all scheduling
transgressions with an extended set of songs pulled mostly from the
band’s pre-1991 catalog, kicking off the show with now classic “Behind
the Wall of Sleep” from their debut LP, Especially for You.
Uniformly dressed in their standard beatnik black, the stealthiest
band in power-pop may now look their age; however, their sound is as
strong as ever. When you take into consideration that they have in fact
been to the “Top Top, Top of the Pops” …and then back down over the
course of a 31-year career, the Smithereens’ sonic wares appear immune to
the aging process, most notably Pat DiNizio’s trademark velveteen
croon, which sounded absolutely perfect the entire night, though Jim
Babjack’s equally rocking and melodic guitar work must receive an
honorable mention.
Following a small tuning malfunction early on in the evening, the
set began to gain momentum, and by the fourth song, 1988’s “Only a
Memory” off of Green Thoughts, many couples in the crowd had
graduated from their excited singing along to outright dancing, and
many appeared to be drawn back to a different time. Maybe it was before
kids, maybe during college, and maybe when some of these couples were
just getting to know each other, these people were reliving formative
years via the soundtrack to those days.
The band played several songs from its most recent studio effort, 2011, which is a play on the title of one of their most successful albums, 11, and an appropriate one at that, as the new numbers sound like refined versions of the classics from that 1989 release.
This
is a group that has seen it all. It’s hard to stress the level
of success the Smithereens really had earned at one point time, and it
would be easy to expect them to be a bit disgruntled about playing
smaller rooms with no admission charge, but their outlook is one of
aging gracefully, and believe it or not, gratitude that they have people
at their shows enjoying themselves. When I spoke with drummer Dennis
Diken about longevity, he smiled and simply said, “We like what we
do… We love what we do.” He’s not the only one, by the looks of things
last night.
Critic’s Notebook:
From the stage: “So I’m on Facebook, and I guess it’s national blowjob day?” — Pat DiNizio
Random detail: Upon running into a former classmate
from middle/high school, he exclaims “My parents are over there! They’re
fucking wasted!”
Personal bias: I’m a Babjack fanboy.
Setlist:
Behind the Wall of Sleep
Top of the Pops
Miles From Nowhere
Only a Memory
Keep on Running
Drown in My Own Tears
Room Without a View
Time and Time Again
Since You Went Away
House We Used to Live In
Sparks (The Who)
Cut Flowers
Blue Period
Especially for You
Spellbound
Sorry
Blood and Roses
A Girl Like You
Behind Blue Eyes (The Who)
–Encore–
One Look at You and I Can See Everything
Batman
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