Q&A with Jeremy Greenspan of the Junior Boys, Playing Electric Pickle on Friday

​In this era of dime-a-dozen indie electro-pop duos, one contemporary act stands apart from the rest for sheer substance, stylistic originality and emotional rapport, and that's Ontario, Canada's Junior Boys. Crooner/co-producer Jeremy Greenspan and partner Matt Didemus first began their collaboration in the early 2000s, the fruit of which were the first couple of Junior Boys EPs and 2003's debut album, Last Exit on KIN Records.

Their second full-length album, So This Is Goodbye was released on Domino Records in 2006, and with various remixes and support from the international EDM community, including tracks featured on Sander Kleinenberg and Ghostly International compilation mixes, the duo began to garner serious acclaim. In 2008 they were invited to mix Get Physical Music's Body Language 6 compilation release, further establishing them in both the indie dance and underground techno scenes.   

2009 saw the release of Junior Boys' third and most ambitious studio album to date, Begone Dull Care. This endearing collection of delicately-crafted lyrical electronic pop tracks has found them an even broader audience, what with the track "Dull to Pause" chosen as the Starbucks iTunes "Pick of the Week" in August 2009, among other accolades.

Many of you will recall Junior Boys' last Miami performance for a packed room at Vagabond, where their emotionally-searing rendition of all the crowd favorites left more than a few people enthralled. Jeremy Greenspan is back in Miami on Friday night to play an exclusive DJ set at the Electric Pickle's One Year Anniversary Block Party, and we took up the opportunity to catch up with him for a brief Q&A. Read it after the jump.

New Times: Legend has it that you cut your teeth working in a muzak studio as a teenager. What can you tell us about that?

Jeremy Greenspan:

That's sorta true. It wasn't actually Muzak the company, but as a

teenager I worked at a studio in Birmingham, UK that definitely DID

make elevator music, and I was assisting on a few of those sessions.

You certainly have a distinctive singing voice. Were you always a singer?


not really. When we decided to add vocals to the tracks we were making

and turn them into songs, I originally thought that we would have to

hire a singer. But eventually I just started singing them and we

thought that it worked okay. I'm not always happy about my singing

voice, sometimes it feels awkward and weird to me, but as I've gotten

older I've started caring less and less about that and just focusing on

trying to sing honestly.

Junior Boys' sound has been

described as dance music for people who aren't into dance music. We

find that a bit reductionistic though, because there is definitely a

more sophisticated songcraft to your music than the standard EDM fare

being played at the clubs. How do you go about writing your material

and what is your typical process in the studio?

There is no

real process as such, We have always changed the way we write, the

equipment we use and our attitudes about working. I think that we

usually have a sound that just happens spontaneously, we don't really

calculate what makes something sound like us, we just set out trying to

make pop music, that was born out of a love of dance music and dance

music culture or whatever -- and that's about it.
Your last album Begone Dull Care

is an homage of sorts to the eponymous short film by National Film

Board animator Norman McLaren. Can you tell us a little about that?


was really an homage to Norman McLaren as a sorta embodiment of

everything I respect in an artist. A fiercely creative and

forward-thinking guy who made movies that were as accessible as they

were inventive -- a kind of ideal that I wanted to aspire towards. It's

sorta hard to explain beyond that. For me the dream of pop music is

that it can be as strange as you want it to be so long as you don't

underestimate your own audience.

What influences and inspires your work, outside of music? 


movies for sure. Right now I'm totally obsessed with Orson Welles, and

I think that is going to figure prominently in our next album -- hard

to say how exactly.

We saw Junior Boys' last Miami

performance at Vagabond and can vouch for many people feeling that it

was a truly moving emotional experience. Your music itself has a

definite emotive lyrical quality rare in a lot of contemporary pop

music. What inspires it? What do you write about and whom for?


I guess we write first for ourselves, because we get a rush out of it,

or we feel compelled to do it, and then we write for the people who get

something out of it. I'm usually hesitant to correct people about what

our music is about, or what it means. Even though there are definite

concrete things the songs are about or are supposed to be about or

whatever, I guess its better for people to take what they want out of

it. But increasingly over the years the songs have become more and more

personal -- about things I'm going through, or places I've been or

things I've seen, etc. A lot of it localized in Ontario, in my own

little small world.

In 2008 you collaborated on the album Double Night Time

by Morgan Geist (of Metro Area, also playing at the Electric Pickle

anniversary party on February 26). How did that collaboration come


[Laughs] I didn't know they will be there. I can't

really remember how we met, to tell you the truth. But he is one of my

closest friends and is pretty much my 'go-to' guy when it comes to

getting advice on a song or an idea, etc. But I wouldn't really call Double Night Time a collaboration -- It was really me just singing Morgan's songs because he didn't want to sing them himself.

What does the future have in store for Junior Boys and Jeremy Greenspan? 


well this year we have a few remixes coming out that we have done. Also

I did some mixing work for Caribou, Kode 9, and a few others. But

mainly we are working very very hard on the next Junior Boys album

which will come out in 2011.

We're very excited to hear you

spin at the Electric Pickle on February 26, and we're curious to see

what you have in store for us as DJ. What's your M.O. on the decks and

what can Miami expect during this performance?

I've been

playing a fair amount of older techno these days. A lot of Robert Hood,

Dan Bell, Speedy J (that sorta thing) and a bit of new stuff by Levon

Vincent, Morgan, and Floating Points, as well as some newer hyperdub


Jeremy Greenspan, at the Electric Pickle One-Year Anniversary Block Party. With Filthy Dukes, Marc Romboy, Metro Area, and others. 9 p.m. Friday, February 26. Electric Pickle, 2826 N. Miami Ave., Miami. Admission is $15 in advance, $20 at the door. Ages 21 and up. 305-456-5613;

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Sean Levisman