Saturday Night: MSTRKRFT at Heathrow Lounge

MSTRKRFT with Pauly Crush and Jessica Who?
Saturday, December 6, 2008
Heathrow Lounge, Miami Beach

Better Than: Ninety percent of the other Basel parties during the week.

Art Basel brought plenty of musical performances during the week. Unfortunately, most of them were invite-only or secret parties no one knew about. But Saturday night, Heathrow Lounge had a come-one, come-all party (as long as you paid the $25 cover charge) with Canadian electro-house duo MSTRKRFT. They aren't exactly strangers to the city; I've personally heard them spin more times than I can remember, last time being at the Fool's Gold party at White Room the Friday night of Winter Music Conference. Unfortunately, White Room hadn't exactly upgraded its sound system during the week, like many other venues do, so the sound was muddled and completely off.

But that definitely wasn't a problem at Heathrow Lounge, where MSTRKRFT finally broke in the venue's speakers properly. Nope, sound wasn't an issue at all, but there were issues. To understand why there were issues, we have to look to MSTRKRFT. The duo is part of a new breed of DJs/producers that are idolized more like rockstars than your traditional DJ. People literally go to see MSTRKRFT as if it were a KISS concert and Jesse Keeler and Al-P are going to shoot fireworks from their fingers as they twist and turn knobs. People press against the DJ booth pumping their fist in the air and do the occasional headbang. Yes, seeing MSTRKRFT live is more of a rock concert experience than a traditional DJ set.

So what exactly is the problem? Heathrow's layout is very unfriendly to

the rock star-DJ-concert format. Because of the position of the DJ

booth, MSTRKRFT is basically hidden from most of the crowd, which leads

to a sense of detachment of what's going on around you. Part of the

experience is seeing your fellow clubber reach his or her climatic peak

along with the song all the while encouraging the duo to take it to the

next level.

That's not to say I don't appreciate Heathrow's

commitment to bringing acts to South Beach that otherwise are better

suited for a downtown audience. The venue has found a underserved niche

is the area, and from the looks of it it's fulfilling their needs quite

nicely. The only other venue on the beach that every really supported

these kinds of bookings outside of WMC is Rokbar; and lets face it, it

isn't exactly the best venue to see MSTRKRFT either.

As far at

the duo is concerned, their set was filled with electro goodness that

you've come to expect from them. Plenty of

who-cares-what-the-name-of-the-track-playing-now-is collided

with their own tracks such as "Easy Love" and the severely unappreciated "Neon Knights."

Critic's Notebook

Personal Bias: Whenever I scream, "OMG! This is my jam!" it's usually an electro-house track.

Random Detail:

While the duo has enough cred to last them a lifetime, they definitely

must have lost a few points after remixing Jesse McCartney's "Leavin'"

and the abysmal "Love In This Club" by Usher.

By The Way: If you missed them this time around, I'm pretty sure they'll be back for WMC, if not before then.

-- Jose D. Duran

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Jose D. Duran has been the associate web editor of Miami New Times since 2008. He's the voice and strategist behind the publication's eyebrow-raising Facebook and Twitter feeds. He has also been reporting on Miami's music, entertainment, and cultural scenes since 2006, previously through sites such as and He earned his BS in journalism with a minor in art history from the University of Florida. He's a South Florida native and will be a Miami resident as long as climate change permits and the temperature doesn't drop below 60 degrees.
Contact: Jose D. Duran