The Iris

The new CD by Phoenix-based industrial metal band the Iris sounds like a sonic blueprint for a band that's finding its sound and getting hotter by the minute. But the blueprint isn't new — Marilyn Manson, Deftones, and a dozen other bands drew it. What's great about The Vanity Fair...

By Niki D'Andrea

April 26, 2007

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The new CD by Phoenix-based industrial metal band the Iris sounds like a sonic blueprint for a band that's finding its sound and getting hotter by the minute. But the blueprint isn't new — Marilyn Manson, Deftones, and a dozen other bands drew it. What's great about The Vanity Fair is that it isn't wholly derivative, and it's highly ambitious. The songs show serious structure — some tunes start with creepy, tinkling piano introductions and then explode into ear-screeching power chords before sliding down into panicked, sweeping synths. Singer Brandon Dooley has great range, moving easily from cracked whispers to deep-throated goth crooning to high-pitched screams. The problem is, he often sounds like he's gagging on his words, swallowing syllables before they're enunciated, so sometimes it's hard to understand what he's singing. It doesn't really matter when you've got a song like "Assfist," which is a nice piece of structured hard noise, engorged with synths and shrieks. But when the lyrics are listenable, Dooley sings stuff like "I'd like to fuck her upside down" ("Mirror, Mirror") and "Spit dick all over bitch spit" ("Hush and Abide"). Good stuff.

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