The Prodigy

The Prodigy came of age when big pants and even bigger beats reigned supreme in England, but the band became known to most Americans in 1997 with the sadistic metal twang of "Firestarter." Outgunned, its first proper studio disc since that time and first without spiky-haired barker Keith Flint, hasn't...

October 14, 2004

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The Prodigy came of age when big pants and even bigger beats reigned supreme in England, but the band became known to most Americans in 1997 with the sadistic metal twang of "Firestarter." Outgunned, its first proper studio disc since that time and first without spiky-haired barker Keith Flint, hasn't moved much beyond the electroshocked rock that brought it crossover success.

Most of Outgunned is dated grime-tronica, with gunmetal-gray riffs clunking over tired samples and arena-techno clichés. Particularly loathsome is "Hot Ride," a horrendous attempt at hard rock featuring a little-girl-gone-satanic reading of the Fifth Dimension's "Up, Up and Away" by Juliette Lewis. The highlights are few and far between: There's "Girls," with its maniacal synth squiggles, '80s electro breaks, and rap breakdowns; Liam Gallagher's slurring sleazefest "Shoot Down"; and Twista's agile vocal tumbling on "Get Up Get Off." What stands out is how devoid of vibrancy or new ideas it all is. -- Annie Zaleski

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