Critic's Notebook

Virgins Revitalize Orlando’s Punk Sound

Virgins Miscarriage (Kiss of Death) It seems like just a few months ago, Sam Johnson was wandering around Orlando, telling people that his longtime band, New Mexican Disaster Squad, was ending, but that he had a new thing cooking -- and maybe this next band would be recording some demos...
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Virgins

Miscarriage

(Kiss of Death)

It seems like just a few months ago, Sam Johnson was wandering around Orlando, telling people that his longtime band, New Mexican Disaster Squad,

was ending, but that he had a new thing cooking — and maybe this next

band would be recording some demos soon. In actuality, it was just a few months ago, and those soon-to-be demos quickly transmogrified into the debut album from Johnson’s new escapade, Virgins. Not to be confused with major-label mallrockers the

Virgins, this Orlando punk outfit is rough and ready, steeped in both

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the ’80s hardcore roots that defined the sound of New Mexican, but with

a garage-inspired looseness. Johnson’s gruffly sung lyrics still sound

like the scribblings of a Reagan-era skater (see: “Atheist in

America”), and the four-on-the-floor rhythm section of drummer Eric

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Pitman (Polluted Youth) and bassist Phil Longo (Coun-try Slashers)

easily evoke a timeless punk purity. However, Virgins is a far less

strident affair than New Mexican ever was, and the sound of Miscarriage

is the sound of a band that’s close to careening out of control,

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unafraid to take their drunken fans with them. That reckless energy

manifests itself in riotous anthems like “Perfect World” and “War

Choppers” that are decidedly unpolished and raw … just like good punk

rock should be. —Jason Ferguson

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