As a kid, I rummaged through my parents' cassettes, separating the good from the Billy Ocean. Sometimes, though, I'd come upon a tape that was beyond great, that was nearly perfect. And then I'd listen to it a thousand times while lying on my bedroom floor and eventually let it control my entire future. That's what happened with Double Fantasy. There was something holy and timeless when John Lennon's perfect pop sensibility met Yoko Ono's haunting sensuality.
When speaking with Ono this week about John Lennon's upcoming art show at the Village of Gulfstream Park, she emphasized their dynamic and fitting creative partnership. Yoko was a delight to interview. Easy with a laugh, she was emotionally open and realistic about her experiences. When a bad connection made my voice reverberate oddly, she laughingly made the sound on the other end of the line, patiently waiting for me to figure out how to fix the problem.
Yoko Ono is now 80 years old and still as relevant and productive and experimental as ever. She hit the dance charts with her Plastic Ono Band; just came out with a book, Acorns; curated the Meltdown Festival in London; and remains an intriguing visual artist. But this weekend is all about John Lennon and his artwork. Proceeds from the show benefit Feeding South Florida, Ono said, "because that's what John would have wanted."