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Benefits for Al Del Bueno Begin Tonight at Churchill's

To younger, casual consumers of Miami’s downtown nightlife, Alex Del Bueno was the lord of the Vagabond door, the no-bullshit sentry who guarded the final entrance to the club’s inner sanctum. But to a much, much wider swath of the local music scene, however, Del Bueno was a fiercely loyal,...
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To younger, casual consumers of Miami’s downtown nightlife, Alex Del Bueno was the lord of the Vagabond door, the no-bullshit sentry who guarded the final entrance to the club’s inner sanctum. But to a much, much wider swath of the local music scene, however, Del Bueno was a fiercely loyal, fiercely talented musician and friend who bridged the often-contentious worlds of punk and hardcore.

The sheer number of people who considered him a friend has become evident in the week since Del Bueno, age 35, was killed in a car accident. This weekend sees a street-punk-oriented benefit show tonight at Churchill’s, organized by U.F.C. frontman Roach, and an all-day benefit tattoo event on Saturday at Hell Bound City Tattoo in Wynwood.

Next Thursday, Del Bueno’s friends have organized another two concurrent benefit events: a special edition of the Vagabond’s weekly Thursday party, Shake, and rare, intimate show by Poison the Well, again at Churchill’s. Miami’s hardcore and punk kids, when it matters, definitely take care of their own.

Born to Cuban parents in Queens, Del Bueno, his parents, and his older brother Julian moved to Miami when the brothers were teenagers. Julian would eventually play in a hardcore band called Brethren, while Al, as he was known for short, cut an imposing figure on the scene. “I met him in the late Eighties because he used to go to all the hardcore, punk, and metal shows,” says Juan Montoya, the guitarist for Torche. “I noticed him because he was a Latino kid like me, but he looked like Rambo back then – he had this long hair and all these muscles. He was a big dude who could definitely knock you down, but he was a super swell guy, always in a good mood and always friendly.”

Del Bueno was also often at the center of a diaspora of exiled New York hardcore kids. The single-monikered , heavily tattooed “Brooklyn,” now the day manager at the Vagabond, remembers how he met Del Bueno 12 years ago, outside of a Brethren show at the now-defunct Club Q in Davie. “I was walking by his brother Julian’s car, and I noticed they were listening to the Yankees game, so I asked the score,” Brooklyn recalls. “And we first bonded over the fact that we were huge Yankees fans.”

Al soon also followed in Julian’s musical foot steps, on his own instrument of choice – the drums. He first played in an outfit called Mindframe – “that was a straight-up hardcore band with a Miami feel, an awesome band with a lot of rhythm,” says another longtime friend, Bundee, now the bassist of Mehkago NT. The way Del Bueno kept that rhythm, too, was ferocious, Bundee says. “He was crazy – the real-live version of Animal from the Muppets. Before he played a show, he’d tape up his fingers like a boxer, because he’d just box up that drum set.”

His greatest musical impact came a little later, as drummer for the charging, mostly-Orlando-based hardcore act Viet-Nom, and then as the rhythm backbone for the Miami-based bilingual act DNME. Del Bueno’s musical open-mindedness allowed in a host of influences that set DNME apart in Miami’s segregated world of punk-derived subgenres. “One thing Al was known for was being a bridge between scenes,” says Dominic Sirianni, the cofounder of the show promotions company and record label New Art School. (Sirianni also occasionally writes about music for New Times). “Back then, punk kids really only went to punk shows, and hardcore kids only went to hardcore shows, but Al made it cool for people to go to both.”

“He’d also go to hip-hop shows,” Bundee recalls, “so I’m sure in that world they knew him as the punk kid who knew how to breakdance.”

DNME hit the ground running, playing its first show ever on the locals stage of the 2001 Warped Tour, and soon scoring supporting slots with bands like local heavy-hitters Where Fear and Weapons Meet, and Bloodclot, the latter-day project by the Cro-Mags’ John Joseph. Joseph even contributed guest vocals for DNME’s debut album, Last of a Dying Breed, released on New Art School Records in 2003. “The reviews were all really good,” says Sirianni, “and we sold a bunch of the records.”

Above all, Del Bueno was known for walking the walk, for living what his beloved hardcore espoused: staying true to one’s beliefs, and taking care of family – both blood and otherwise. He had recently moved in with his parents to help nurse them through health problems, and was a fiercely loyal friend and coworker. “I never wanted to work with anyone else at the front door,” says Jessica Bennett, the Vagabond’s operations manager. “He kept everything in check. And everyone who came through the door, whether they were from Hialeah or Ft. Lauderdale, he knew.”

“Al was the type of guy where, if he had a dollar in his pocket,” says Brooklyn, “and he had a choice between giving it to you to survive or keeping so he could survive, he’d give it to you.”

Del Bueno also remained committed to music, and had recently begun writing music with a Vagabond coworker for a Spanish-language punk band. In fact, he was leaving band practice on the night of Wednesday, October 8, when he passed.

It’s fitting, then, that his scene compatriots have rallied to put together a series of benefit concerts that continue this week; all bands are playing for free, and all admission money is going to the Del Bueno family. Churchill’s will feature a show headlined by local legends Poison the Well, who have played locally lately only sporadically, and who are currently writing the band’s forthcoming record. Later that night, the benefit will continue at the Vagabond’s weekly Shake party, which is co-hosted by Sirianni. Taking a break from the party’s usual retro-fab format, guest DJs Mike Deuce, Chris Graham, and Ryan Evans will spin sets of the hardcore, punk, and hip-hop that Del Bueno loved. Even the folks at Miami Ink have donated money towards the events, and are promoting them with posters inside the shop.

Economical in his words but effusive in his generosity, Del Bueno was a key figure in Miami’s music scene. He is already sorely missed.

-- Arielle Castillo

BENEFITS FOR THE FAMILY OF ALEX DEL BUENO:

Friday, October 17

Featuring Nobody's Hero, La Vieja Guardia, Sick of Society, Mehkago NT, and U.F.C.

Churchill’s Pub

5501 NE 2nd Ave., Miami

Doors open at 8 p.m.; admission is $10

Ages 18+ with ID

305-757-1807; www.churchillspub.com

Saturday, October 18

Hell Bound City Tattoo benefit featuring Mehkago NT, Howitzer, F.A.T.E., and U.F.C.

$50 tattoos all day

Hell Bound City Tattoo

254 NW 36th St., Miami

Noon to midnight

305-573-1602

Thursday, October 23

Featuring Poison the Well, Mehkago NT, and Malt Liquor Riot

Churchill’s Pub

5501 NE 2nd Ave., Miami

Doors open at 8 p.m.; admission is $10

Ages 18+ with ID

305-757-1807; www.churchillspub.com

Thursday, October 23

Afterparty/second benefit at the weekly Shake part at the Vagabond

With guest DJ sets by Mike Deuce, Chris Graham, and Ryan Evans

30 NE 14th St., Miami

Doors open at 10 p.m.; admission is $10

Ages 21+ with ID

305-379-0508; www.thevagabondmiami.com

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