James Brown stripped pop to its rhythmic essentials: the groove and the grunt, the bridge, and the scream. Tate Taylor’s Get On Up likewise reduces James Brown — and the biopic form — to all that matters most. Here are the highs of the man’s life, both artistic and recreational…
The most radical thing about this eco-terrorism drama is its quiet patience and formal vigor. While most studio pictures slap together their images with all the care of a grocery-store deli clerk assembling the ham and carrots on a cheap-o party platter, Kelly Reichardt, the director of Night Moves, favors…
“The heart wants what it wants,” Woody Allen has taught us, and apparently what his heart wants these days is not to have to bother with writing second drafts of film scripts. His latest, Magic in the Moonlight, plays like a sumptuous vacation, its stars larking in ’20s finery about…
Surely, at some point, they thought of casting Michael Cera. Richard Ayoade’s often marvelous The Double, an existential jest set in a bureaucratic dystopia so familiar and lightly comic that it may as well be Kafka Fantasy Camp, stars Jessie Eisenberg, the Oscar winner and future Lex Luthor, as a…
Philip Seymour Hoffman is an island of rumpled calm in Anton Corbijn’s urgent A Most Wanted Man, a glum-out-of-principle espionage story based on a John Le Carré novel. The role demands that Hoffman be quiet, steady, and occasionally frustrated and that he hold secrets — often from us, which is…
It turns out that the cars and planes of Cars and Planes can kiss. Deep into Planes: Fire & Rescue, a time-killing kid-flick whose title is an exact summary of its plot, the filmmakers introduce us to two creaky old Winnebagos, a husband and wife in their sunset years, revisiting…
It turns out the cars and planes of Cars and Planes can kiss. Deep into Planes: Fire & Rescue, a time-killing kid flick whose title is an exact summary of its plot, the filmmakers introduce us to two creaky old Winnebagos, a husband and wife in their sunset years, revisiting…
How has there not already been a Nicolas Cage movie called Rage? That title could fit many of the Drive Angry star’s late-career time-wasters. Here it works best as an imperative rather than an announcement of theme: You may feel some anger if you pay to watch this. Or you…
Here are some of the triumphant moments of recent history that make it into the climactic montage in America, the latest “America’s perfect!”/”America’s doomed!” pant load from felonious troll Dinesh D’Souza: Jackie Robinson rounding home. Elvis Presley swinging his hips. Ronald Reagan and the Berlin Wall. Boxed copies of Windows…
Here are some of the triumphant moments of recent history that make it into the climactic montage in America, the latest “America’s perfect!”/”America’s doomed!” pant load from felonious troll Dinesh D’Souza: Jackie Robinson rounding home. Elvis Presley swinging his hips. Ronald Reagan and the Berlin Wall. Boxed copies of Windows…
It’s a relief, after the wretched Identity Thief, to see movies whose makers love Melissa McCarthy as much as audiences do. Identity Thief’s comic centerpiece was predicated on the idea that McCarthy having sex is a hilarious gross-out, like she’s the pie Jason Biggs once had to diddle. Half an…
Mark Ruffalo’s great gift, besides those scruffy good looks and that prickish, hungover charisma, is capturing the essence of the guy who’s spinning toward a crash but trying to angle himself back. His greatest performance, in Kenneth Lonergan’s You Can Count on Me, one of the best films of the…
Ask anyone who grinds through the New York subway each day: The worst words in the world might be “It’s showtime!” That means riders are about to be treated/subjected to public break dancing. Once the boombox starts bumping and the performers start whipping themselves around, subway riders find themselves exploring…
If you think summer movies are clamorous, try a current Broadway musical. Watching Jersey Boys onstage is like soldiering through some extreme-eating contest where you’re force-fed dessert for three hours. It’s all falsetto heroics and hustled-through character drama, every beat of every scene overscored, overrehearsed, and overbearing. And it’s often…
Surely, at some point, they thought of casting Michael Cera. Richard Ayoade’s often marvelous The Double, an existential jest set in a bureaucratic dystopia so familiar and lightly comic it may as well be Kafka Fantasy Camp, stars Jessie Eisenberg, the Oscar winner and future Lex Luthor, as a beleaguered…
There’s still one kind of dread that today’s genre filmmakers can reliably stir up: that fear that everything we’ve been watching onscreen is going to be upended by some last-minute twist, that all the clues and portents we’ve puzzled over will be swept away in favor of some revelation so…
Today it’s hard for us to fathom why preachers used to rail so vehemently against jitterbugging. Even with cultural context — black music infiltrating white America, the revolution of rhythm over melody — the athletic, whirligig, swing-time boogie craze of the ’30s and ’40s now looks as wholesome as the…
How much can you take away and still have a movie? Steven Knight’s Locke is an experiment in reducing contemporary scree storytelling to its irreducible essentials, which isn’t quite the same thing as being an “experimental” film, despite the ravishing early reviews from England. It shows us just one actor,…
Looking for a chance to shout, “Only in America!”? Only in America — or an American movie — could the story of the first two Indian players to be signed to a Major League Baseball team get spun as an L.A. sports agent’s journey toward realizing the importance of family…
Since 2002, the year Sam Raimi’s Spider-Man hit theaters, the other Spider-Man, the hero of the actual comic books, has joined the Avengers, revealed his secret identity to the world, and become a highly paid inventor who has engineered, among other marvels, a limitless energy source science has dubbed “Parker…
Since 2002, the year Sam Raimi’s Spider-Man hit theaters, the other Spider-Man, the hero of the actual comic books, has joined the Avengers, revealed his secret identity to the world, and become a highly paid inventor who has engineered, among other marvels, a limitless energy source science has dubbed “Parker…
Has it ever occurred to contemporary commercial filmmakers that maybe audiences could take a movie’s word for it that a character has been tortured? That perhaps implication and skilled acting could communicate the idea with sufficient power so that we might all be spared the screaming and limb-breaking and slow-motion…
